Jamini Roy: Journey to the Roots

Shradha Ramesh celebrates the 125th birth anniversary of Jamini Roy

 New York: The current exhibit ‘Journey to the Roots’ at the National Gallery of Modern Art (NGMA), Delhi, evokes a sense of nostalgia. As the title notes, the exhibit celebrates the 125th centennial of Jamini Roy (1887-1972), one of India’s most celebrated 20th century artists. He is one of the pioneers of modern Indian art, who revolutionized the field and created a new visual language. A language that was more egalitarian and forthright.

I would like to quote the Cultural Minister Chandresh Kumari Katoch who described the artist in the best light: “Jamini Roy’s contribution in the growth and shaping of modern Indian art is well-established and enormously significant. His artworks have a particular appeal in the popular imagination because of their strong, simple forms and vibrant colours…” His painting style is an eclectic representation of both Western training and Indian inspiration. Seeing his style one might refer to him as modern India’s outsider artist. But there is lot more to the artist and his work.

Born in Beliatore, West Bengal, his repertoire evolved from classical British academic nudes and landscapes to scenes that appropriated forms of folk and calligraphic expression.

A student of Abanindranath Tagore at Santiniketan, Calcutta, he was trained in western academic styles. He later gained inspiration from Indian epics and episodes such as the Ramayana and Mahabharatha for his two dimensional paintings. His oeuvre was also strongly influenced by Kalighat Patuas, a popular painting genre from his region. This folk painting style is linear, with bold and vibrant colors. Jamini Roy had captured the essence of this traditional Bengali style of painting and incorporated it with his own modern sensibility.

The NGMA exhibit is an odyssey through the artistic explorations of Jamini Roy’s lifetime. A mellifluous blend of modern thought with traditional themes and indigenous brush strokes, his works speak volumes.

Krishna with Cow 2, Jamini Roy

Krishna with Cow 2, Jamini Roy. Image Credit: http://www.aicongallery.com/artists/jamini-roy/#/images/9/

To read more on the exhibit click here.

The House of Illusion

Shradha Ramesh of Saffronart reports on the much talked about Dalston House

New York: Leandro Erlich’s (b 1973) installation at Dalston House defies all artistic and scientific laws. The Victorian style facade placed against a reflective surface creates a transcending delusional fantasy space. A unique space, where anyone who comes in contact with the work becomes a super hero with his/her supernatural abilities. Elrich has created a new visual language that traverses disciplines such as art, architecture and physics.

Elrich is known for his interplay of real life objects and surreal imaging. He takes familiar day to day objects and fuses them with illusionistic settings. Some of his works that embody allegorical references are Monte-Meubles, L’ultime Déménagement (2012) shown at Le Voyage à Nantes, France, which is a facsimile of Dalton House, Swimming Pool (1999) and Elevator Pitch (2011) shown at Sean Kelly Gallery, New York. He believes his artwork is complete only when the viewer interacts and experiences it.

My first interaction with the artist’s work was at Miami Art Basel Fair with his Single Cloud Collection (2012).

Monte Meubles, Leonardo Elrich

Monte Meubles, Leonardo Elrich. Image Credit: http://www.leandroerlich.com.ar/works.php?id=27

Argentinean by birth, the installation artist lives and works between Buenos Aires and Paris. His artistic journey started at home under the influence of his father who is an architect. However, Elrich draws inspiration from everywhere, including literary Argentinian forebear Jorge Luis Borges’s found objects and even the works of film directors such as Alfred Hitchcock, Roman Polanski, Luis Buñel and David Lynch.

Elrich is internationally acclaimed and has participated at both the Venice and Whitney biennales. His works have been exhibited in various global forums and even in private and public museums.

Swimming Pool, Leonardo Elrich

Swimming Pool, Leonardo Elrich. Image Credit: http://www.leandroerlich.com.ar/works.php?id=27

The Dalston House installation will be open to the public until August 4, 2013 courtesy of the Barbican Center, a multi-arts and conference venue in London.

Fiercely Modern: Art of the Naga Warrior

Kanika Pruthi of Saffronart discusses the ongoing exhibition on the Nagas currently on view at the Rubin Museum of Art in New York

New York: This summer the Rubin Museum of Art showcases a fascinating exhibition that presents an informed peek into the lives of the Naga people, curated by Jan Van Alphen. The highlight of the exhibition is the remarkable selection and contextualization of the material culture of the Nagas which inform the viewer about their history and ways of life.  The exhibition includes textiles, jewelry, weaponry and ceremonial objects, black-and-white photographs and a video installation.

The Naga are a group of culturally and linguistically linked tribes inhabiting the mountainous regions of north-east India and north-west Burma. Known to be fearsome headhunters, their neighbors avoided confrontations and direct contact with the tribes. This allowed them to develop a distinctive material culture and a complex system of norms and taboos. The British colonization followed by the 20th- century conversion by Baptist missionaries of nearly the entire Naga population to Christianity resulted in drastic changes in their way of life. Nonetheless the Naga did not abandon their long held traditions and today they live between two extremes: they maintain a highly developed aesthetic culture informed by ancestral traditions while still transformed by outside influences. Ancient Naga customs and habits remain alive under a layer of Christian devotion.

Installation shot of "Fiercely Modern: Art of the Naga Warrior" by David DeArmasI

Installation shot by David DeArmas. Image Credit: http://www.flickr.com/photos/rmanyc/8953383208/in/photostream/

A focal point of the exhibition is the large-scale black-and-white photographs by the anthropologist Christoph Fürer-Haimendorf. Assembled during his field research in 1936-1937 and now in the collection of the Welt Museum Wien in Vienna, it is one of the oldest collections of Naga art. These photographs successfully provide a context for the objects on view- this interactive process enabling the viewer to grasp the culture and the artifacts with greater depth.

"Fiercely Modern: Art of the Naga Warrior"

Art of the Naga Warrior. Image Credit: http://www.rmanyc.org/naga

The exhibition is divided into six sections. The first expounds the ritual life of the Naga, highlighting the practice of headhunting and its association with prestige among the tribesmen. This section shows head trophies, ceremonial hats and weaponry.

 

Installation Shot of "Fiercely Modern:  Art of the Naga Warrior" by David DeArmas

Installation Shot by David DeArmas. Image Credit: http://www.flickr.com/photos/rmanyc/8953383050/sizes/o/in/photostream/

The second section about clothing explains the meaning of body cloth, the symbols woven into the warp and weft of the cloth- indicating the wearer’s tribe and position. These body cloths are commonly worn over modern clothing during special events.

Installation Shot of "Fiercely Modern: Art of the Naga Warrior" by David DeArmas

Installation Shot of “Fiercely Modern: Art of the Naga Warrior” by David DeArmas. Image Credit: http://www.flickr.com/photos/rmanyc/8953383050/sizes/o/in/photostream/

The third section explains how Naga jewelry goes beyond its functional and ornamental role and like their garments is symbolic of the wearer’s identity and status. On view are chest ornaments, earrings, headdresses, armbands, sashes, girdles, and aprons worn by both men and women.

The forth section presents the artisanry of the Naga tribes, the specific crafts delineates to women or men. This section displays ceremonial baskets made of bamboo and dishes carved out of wood.

Installation Shot of "Fiercelyt Modern: Art of the Naga Warrior" by David DeArmas

Installation Shot by David DeArmas. Image Credit: http://www.flickr.com/photos/rmanyc/8953383050/sizes/o/in/photostream/ 

The fifth section of the exhibition is dedicated to the Morung- the tradition men’s house central to Naga lifestyle. The space served as a community center, school, youth club- all combined in one. According to Naga tradition a boy would typically join at the age of nine or ten and live there until he was married. There he would learn the skills required for adulthood from the older members of his community.

The following section presents wood carvings and sculpture, especially those employed to decorate the Morung. The most impressive woodcarvings were the giant log drums, which are shown in a video in the exhibition alongside models of dugout drums. These dugout drums embodied the community’s potential for happiness and brought with them good luck, wealth, and prosperity.

Installation Shot of "Fiercely Modern: Art of the Naga Warrior" by David DeArmas

Installation Shot of “Fiercely Modern: Art of the Naga Warrior” by David DeArmas. Image Credit: http://www.flickr.com/photos/rmanyc/8952187063/in/photostream/

 

This is the second exhibition hosted by the Rubin Museum of Art on the Naga. It is on view till September 16, 2013. The programme for the exhibition includes a talk with anthropologist Christian Schicklgruber and collector of Naga art John D. Marshall. There are also two short films being shown at the Museum.

To learn more click here.

Jamil Naqsh: The Painted Word

Elisabetta Marabotto of Saffronart shares a note on Jamil Naqsh’s current exhibition at Albemarle Gallery in London

London: Albemarle Gallery is currently hosting “The Painted Word”, a solo exhibition of contemporary Pakistani artist Jamil Naqsh. The exhibition, which focuses on the recently created calligraphic works by Naqsh, includes over 400 paintings which tackles different and new themes through the use of calligraphy. Vivid colours and non-representational shapes characterize the works in the exhibition.

“The Painted Word” displays the largest group of calligraphic paintings made by only one artist.

Below you can enjoy a selection of the works in the exhibition.

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For more information you can visit Albemarle Gallery website.

Homelands: A 21st Century Story of Home, Away, and All the Places In Between

Kanika Pruthi of Saffronart ponders over the multiple identities and many homes of the global citizen, prompted by the ongoing exhibition at the National Gallery of Modern Art in Bengaluru, India

New York: This summer sees the arrival of the much awaited travelling exhibition titled Homelands: A 21st Century Story of Home, Away, and All the Places In Between to the National Gallery of Modern Art in Bengaluru. British Council’s flagship art project for the year 2013 the exhibition features over 80 works by 28 international artists. Having shown in Delhi, Kolkata and Mumbai, it has received over 50,000 visitors already.

Homelands Catalogue

Homelands Catalogue. Image Credit: http://www.homelandsindia.com/Catalogue

Curated by Latika Gupta, the exhibition derives from the extensive collection of the British Council, UK’s international agency for educational and cultural relations in India. The selection of contemporary British artists, including nine Turner Prize winners and nominees, present the viewer with an eclectic take on a relevant and globally shared theme- that of identity. Four of the showcasing artists visiting India include Mona Hatoum, Anthony Haughey, Zineb Sedira and Suki Dhanda. As expressed on their website “the show excavates the idea of a ‘homeland’ to reveal a rich plurality of meaning; ideas of belonging, alienation, history and memory.”

 

Sukhi Dhanda, Untitled, 2002

Sukhi Dhanda, Untitled, 2002. Image Credit: http://www.homelandsindia.com/Suki-Dhanda

Sukhi Dhanda, Untitled, 2002

Sukhi Dhanda, Untitled, 2002. Image Credit: http://www.homelandsindia.com/Suki-Dhanda

Latika Gupta aptly words the identity crisis faced by many and succinctly dealt by the artists in this exhibition.  “Today, many of us move across national boundaries. We are born in one country, we make another our home. In the criss-crossing of political, social and cultural borders, we live our lives through hyphenated identities: belonging here and there; inhabiting multiple places – both physical and metaphorical. Geographies that can be mapped as inter/national boundaries and as places conjured up by through remembering and imagining,”

 

Anthony Haughey, Untitled, 1991-92

Anthony Haughey, Untitled, 1991-92. Image Credit: http://www.homelandsindia.com/Anthony-Haughey

The British Council initiative has been lauded for its effort to strengthen public-private partnership to provide a new funding model for the arts in India. This exhibition is supported by Jaguar, Christie’s and Kotak Mahindra Bank Limited.

Homelands is accompanied by a diverse outreach program that includes artist talks, seminars, curator-led walks, outreach activities and workshops. The exhibition runs from July 6 to August 14 at the NGMA, Bengaluru.