Manjari Sihare shares details of a symposium on dOCUMENTA (13) and the Sharjah and Kochi-Muziris Biennales hosted by the School of Arts and Aesthetics, JNU and the Goethe Institute, Delhi
New Delhi: The School of Arts and Aesthetics (SAA), JNU, and the Goethe Institut are hosting a day-long symposium exploring key issues in international art exhibitions from the recent past on Friday, April, 19, 2013.
The symposium has been conceptualized by Geeta Kapur and focuses on dOCUMENTA (13) (June – September 2012). Speakers are invited to address the curatorial concept of this edition. And to address, as well, a peculiar call on dOCUMENTA curators to offer, in the very form of the exhibition, a virtual world-view.
In the second part of the symposium, there will be a discussion on Biennales that are placed within more precarious circumstances. The risks and gains of working with a meager infrastructure, social taboos, uncharted aesthetics, will be brought forward. A substantial debate on the newest, most proximate Kochi-Muziris Biennale (December 2012 – March 2013) is expected. Participants will be invited to discuss, for instance, how this Biennale offered ‘site imaginaries’ in lieu of a predetermined concept; and an exhibitory poetics largely activated by participating artists. Also the role of the State (with reference to India) in supporting large-scale, audience-friendly and ground-breaking exhibition projects such as the Kochi-Muziris Biennale will be put up for scrutiny.
Friday, April 19 2013, 11.00 am – 5.30 pm
Auditorium, School of Arts & Aesthetics, Jawaharlal Nehru University
Session I (11 am to 1 pm)
Chair: Kavita Singh: Introduction and Sum-up
Referring to earlier editions, but focusing on dOCUMENTA (13) (June – September 2012), speakers are invited to address the curatorial concept of this edition; and to address, as well, a peculiar call on dOCUMENTA curators to offer, in the very form of the exhibition, a virtual world-view.
• Geeta Kapur: dOCUMENTA aesthetics in the 21st century
• Vidya Shivdas: Brief introduction to the dOCUMENTA project
• Panel: Jeebesh Bagchi, Sonia Khurana, Shuddhabrata Sengupta
Session II (1.45 pm to 3.15 pm)
Chair: Pooja Sood: Introduction and Sum-up
Ideological Readings: from Documenta to Sharjah
A reflection on Biennales placed within newer, more precarious circumstances; the risks and gains of working through untested locations, meager infrastructures, social taboos, uncharted aesthetics.
• Amar Kanwar
• Ravi Agarwal
Session III (3.30 pm to 5.30 pm)
Chair: Geeta Kapur
The Kochi-Muziris Biennale 2012-2013
More than a ‘debate’ or even a measure of success and failure, understanding the conditions of production of the newest, most proximate Kochi-Muziris Biennale (December 2012 – March 2013) is important. Once staged, what are the meanings that accrue from the democratic mix of international and local viewers; with diverse spectatorship, is there a better case for state support of contemporary art? Can publics in relation to large-scale, ground-breaking projects (such as this), incite the art community into a discursive engagement with avantgarde art as a form of contextual combustion?
• Riyas Komu: ‘Against All Odds’; a presentation on the Kochi-Muziris Biennale (with visual documentation)
• Panel: Vivan Sundaram, Sheela Gowda, Subodh Gupta, Gayatri Sinha, Sheba Chhachhi
• Summing Up: Parul Dave Mukherji
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