India through the eyes of Alexander Calder

Elisabetta Marabotto of Saffronart on Calder’s unseen India works on display at London’s Ordovas Gallery

Calder in India

Alexander and Louisa Calder in India, 1955. Alexander Calder papers, 1926-1967. Archives of American Art, Smithsonian Institution. Image Credits: http://www.ordovasart.com/exhibitions.html

London: The Ordovas Gallery is currently displaying a selection of works by Alexander Calder, inspired by a trip to India in the mid-1950s. This is a unique opportunity to view works by the artist that have not been exhibited since 1955 (when they were shown at the Bhulabhai Memorial Institute and Jehangir Art Gallery in Bombay), and that have never been shown before in the West.

Calder’s passion for India can be traced back to 1954, when he was invited to the country by Gira Sarabhai and her family to complete a residency at their estate in Ahmedabad, and also to travel and discover the country. The artist worked for three weeks in the studio they especially made for him and then travelled around India and Nepal with his wife, Louisa. During his stay in India, inspired by the different environments and cultures he encountered there, the artist produced nine sculptures and some pieces of jewelry.

Calder in India

Calder in India, installation view.
Image credits: Photography by Mike Bruce © 2012 Calder Foundation, New York / DACS London.

Eight of the nine sculptures created during Calder’s stay are on display in this exhibition. In addition to these works, the piece, Six Moons over a Mountain, which the artist sent to the Sarabhai family before his visit, and Untitled (1952), which was acquired by his hosts earlier, will also be displayed.

Some of the works on display at the Ordovas Gallery resemble the typical mobile sculptures Calder is known for, but this is the first time they are being shown together since they all belong in different private collections. Calder’s innovative sculptures were created by bending and twisting metal wires in order to ‘draw’ three-dimensional figures in space. The mobiles comprise of a group of suspended abstract elements, which harmoniously balance and move together. Sometimes these mobiles seem to dance, and this could be one of the linking threads with India and its graceful dances and vivid colours. Also, the titles of two works, ‘Guava’ and ‘Franji Pani’, seem to reflect Indian flora and landscapes that Calder was responding to.

This is a unique opportunity to see these rare works which reflect in different ways Calder’s vision of India.

More information about the exhibition can be found here.

Calder in India

Calder in India, installation view.
Image credits: Photography by Mike Bruce. © 2012 Calder Foundation, New York / DACS London.

Conversations: Minal and Dinesh Vazirani

Girish Shahane interviews the couple that founded Saffronart

Minal & Dinesh Vazirani
at Saffronart Mumbai
Image Credit: Indian Art News

Mumbai: In an interview featured in the October 2011 issue of Take on Art magazine, Girish Shahane spoke with Minal and Dinesh Vazirani about their online auction house, Saffronart. It is an insightful conversation about the various phases the company has gone through in the span of a decade and some years since its inception. From starting out as a web-based vendor to having physical exhibition spaces, and from focusing on art, to diversifying into jewelry, watches, antiquities, Prime Properties and most recently carpets and collectibles like classic cars, Saffronart has quite literally become the go-to place for the luxe aficionado.

Minal and Dinesh Vazirani also discuss issues regarding government regulations regarding art within India, the rise and fall of contemporary Indian art, establishing relations with galleries and clients, art funds, and the importance of private museums.

Read the entire interview here

Buying Property in London? There may be tax implications…

PART 1: The Private Individual

Shivajirao Gaekwar shares a note by Vishal Agarwal of BMR Advisors, Mumbai, about tax implications of buying property in London

London: The one thing that is certain when spending the summer or for that matter, any season in London, especially when one owns a flat there is the relaxed, fun-filled time that London offers residents and visitors.

The only other thing that is more certain than the joys of owning a London flat are tax implications. One of the least uncertain things in one’s life is perhaps tax, and nothing can be more unpleasant than being slapped with a tax bill at the end of the year. Saffronart Prime London feels a buyer ought to get into overseas property ownership well-informed.

 Owning residential property overseas could, based on facts, attract Indian income tax and wealth tax. Here are a few things to keep in mind.

 Income-tax provisions

An overseas residential property owned by a resident individual could potentially result in two streams of income (i) rental income, if the property is let out, and (ii) capital gains, if the property is sold at a future date.  On the basis that the individual owner of the property is resident in India for tax purposes, all such income would be liable to tax in India.

 Taxation of rental income in India

 Income tax is levied on the ‘annual value’ of the residential property for any year. 

 Where the owner actually uses a residential property as his residence, the annual value of one such property is taken to be nil.  Proceeding on the premise that an individual who acquires residential property overseas already owns residential property in India which he / she occupies for personal use and the exclusion from tax discussed above is applied towards this property, the annual value of any further properties acquired by the individual, whether in India or overseas, would be liable to tax at the higher of the amounts calculated in the manner described below:

 (i)      the sum for which the property might reasonably be expected to be let from year-to-year regardless of whether or not the property is actually let; or

(ii)     the rent received or receivable (ignoring rent that cannot be realized), if the property is actually let out. 

 However, where the property is meant to be let out, but remained vacant for want of a tenant for the whole or part of the year, and by virtue of this vacancy the rent received in point (ii) is less than the amount referred to in point (i) above, then the annual value will be taken as the amount actually received or receivable during the year.

 From the annual value so determined, the owner is permitted tax deductions for (a) municipal taxes paid to local authorities; (b) 30 percent of the annual value as a standard deduction; and (c) interest payable on a housing loan subject to a maximum of INR 150,000 (approximately GBP 1,875) if the property is not meant to be let out, and without any limit if the property is meant to be let out.

The net income determined in this manner will be liable to tax under the head “Income from House Property” at ordinary income tax rates applicable to the owner.  At present the maximum rate of tax in India is 30 percent plus applicable surcharge and cess.  If the computation results in a loss, such loss can be used to offset income from any other source earned by the owner in that year.  Any unabsorbed loss can be carried forward and offset against similar house property income for a period of eight years.

 Tax implications on sale of the property

Gains arising from sale of a residential property located in London would be taxable as “Capital Gains”.  The taxable gain is computed by deducting from the sale consideration, the cost of acquisition (including costs directly linked with purchase of the asset), the cost of any improvements and any expenses incurred in connection with the sale.

 The rate of tax that will apply to such gains is a function of the period for which the property has been held prior to its sale.  The property would be regarded as a long-term capital asset if it has been held for more than thirty-six months prior to its sale.  Gains from sale of such assets are classified as a long-term capital gains (‘LTCG’) and subject to tax at the rate of 20 percent (plus applicable surcharge and cess).  In computing the LTCG, the cost of acquisition is increased by applying index factors published by the Indian Government.  If the property is held for 36 months or less, the gains are treated as short-term capital gains (‘STCG’) and taxed at the rates applicable to ordinary income.

 Where the gain is a LTCG, Indian tax laws provide for a relief from income tax if the proceeds from the sale are invested in qualifying assets, subject to prescribed conditions. 

 If the sale of the property results in a loss and such property has been held for more than thirty-six months, the loss would be treated as a long-term capital loss (‘LTCL’).  Such loss can only be offset against any LTCG earned in that year from the sale of any asset and for a period of eight consecutive tax years in a similar fashion, until the loss is exhausted.  If the property had been held for a period of thirty-six months or less, any loss from the sale of such property would be a short-term capital loss (‘STCL’) and such loss can be offset against any capital loss, STCL or LTCL in that year from the sale of any asset and for a period of eight consecutive tax years. 

 Wealth-tax implications

 In addition to income-tax, wealth tax is payable annually at the rate of 1 percent on net wealth in excess of INR 3,000,000 (approximately GBP 37,500).  Wealth is defined to include, inter-alia, all residential property owned by a tax payer, other than one property which is regarded as being held for personal use.  However, where a residential property is let-out for a minimum period of three hundred days in any year, such property will be exempt from wealth tax.

For wealth tax purposes, the market value of the property as at March 31 of each year is to be considered.

 PART 2: The Non-Personal Entity coming soon…

India’s Glittering Past: From the Tavernier Blue to the Hope Diamond

Amit Kapoor of Saffronart on some of India’s most famous precious stones and jewels

In my last blog post, I spoke about the ‘rich India’ of the past and its noble treasures. Some of the famous diamonds that have originated in India include the Hope Diamond, the Kohinoor, the Darya-i-Noor, and the Dresden Green, to name but a few.

Almost all of these stones were owned or were in the possession of the wealthy and elite classes, most often emperors and nobles. Jean-Baptiste Tavernier, a French national who used to travel to India frequently during 16th century, documented and traded some of these precious jewels.

The Tavernier Blue sketch
Image credit: wikipedia

Of the jewels Tavernier successfully brought back from India to France, a 118-carat (24 g) blue diamond is probably the most famous. This diamond came to be known as the Tavernier Blue, and was subsequently sold to Louis XIV of France in 1668. In 1678, Louis XIV commissioned the jewel to be re-cut to a stone weighing 67.125 carats (13.425 g), which became known as The French Blue. In 1792, during the French Revolution, The French Blue mysteriously disappeared.

The Hope Diamond
Image credit: Smithsonian Institution

Twenty years later, this stone re-emerged in London as the Hope Diamond, now weighing approximately 45.52 carats, and is currently housed at The Smithsonian Institution in Washington DC after the famous jeweler Harry Winston donated it to the institution. The Hope was graded by the Gemological Institute of America (GIA) as a VS1 clarity diamond of fancy dark grayish blue colour. Read more about the GIA’s diamond grading.

The parcel in which the Hope Diamond was shipped
Image credit: Smitsonian Institution

Most of the gems that remained in India while it was under British rule, were used to pay the taxes they exacted from the rulers and nobility. The few jewels that survived were passed down through the generations. However, with changes in consumer preferences, many old cut diamonds and older pieces of jewelry have been refashioned to match modern trends.

This article talks about some of the noble, ancient jewels that have survived this refashioning process.

Saffronart powers Sanctuary’s Forever Stripes Auction in support of the NDTV Save Our Tigers Campaign

Saffronart in association with Sanctuary Asia, India’s largest circulating wildlife conservation and ecology magazine, is hosting the Forever Stripes Art Auction on July 15, 2012. This auction will feature a single work by Murali Dhar Parashar, an Indian wildlife photographer/painter and founder of the Ranthambore School of Art & Wildlife Conservation Society. The auction is being held in support of the NDTV-Aircel Save Our Tigers Campaign. Proceeds from the sale will go to the NDTV-Aircel Save Our Tigers Telethon, a fundraiser being organized with the campaign’s implementation partner, Wildlife Conservation Trust. It will be aired live on NDTV Network on July 15th from 9am to 9pm. The auction is only open to bidders who have registered with Saffronart. For more information on this auction or for registration, please read more.