Art Night Thursday, Mumbai

Tarika Agarwal of Saffronart gallery-hops in Mumbai on the occasion of the latest edition of ‘Art Night Thursday’

Mumbai: It was quite an exciting experience walking around the Mumbai Art District at night for the first time as part of Art Night Thursday last week.

Started in London, the idea is that on the first Thursday of the month, participating galleries and museums stay open past 9 pm. It was an amazing way to get introduced to the great art scene in the vibrant city of Mumbai. It has managed to promote museums and art galleries as fun places to hang out in the evening.

The trail consisted of seven galleries. There was a vast variety of  works on display – tapestries, video art, sculptures, installations, oils, acrylics to name a few. I started my journey alone but somewhere along the way it became a nice little group of art lovers walking about the streets of Mumbai from one gallery to another. It was nice to see how college students, art students, the retired and collectors were in the same space enjoying, appreciating and discussing an artist’s work.

In this edition of Art Night Thursday, here is the list of a few of the artists being exhibited and the kinds of work they were showing –

Monika Correa, Homage to Kepes, White Warp
Image Credit-

In an exhibition of Tapestries at Chemould Prescott Road, Monika Correa has explored the underlying relationship between weaving and the diverse patterns and textures of nature. Read more.

Prakaash Chandwadkar, Untitled – 001, Acrylic on Lokta Paper
Image Credit-

In a group show at Gallery Beyond, Prakaash Chandwadkar had showcased a few acrylics on Lokta Paper (wild crafted, handmade artisan paper indigenous to Nepal).  These works display the vistas of the Himalayan Ranges around Nepal where he treks.

At the Guild, Rakhi Peswani presented ‘Anatomy of Silence’. The artist believes that silence is an integral part of paintings, sculptures and objects. Art holds a mute relationship with the society it is created and survives in. She shows the human body in a handmade avatar which is close to displacement and demise. The relationship between a laborious work and a craftsman’s body is explored and seen vis-à-vis the situation of the handmade today.

William Kentridge

William Kentridge, Untitled, Indian Ink on pages from The Century Dictionary; An Encyclopedic Lexicon of the language.
Image Credit-

One of the best shows was the William Kentridge solo exhibition, ‘Poems I used to know’ at Volte, which combines large drawings done in Indian ink on multiple pages from books that have been put together, a film installation, a series of slip book films, sculptures and a large tapestry. Read a review of the show in the Mint by Girish Shahane.

Shine Shivan, Glimpse of Thirst (11), Fabric, jute, fiber, marbles, fiber glass, artificial hair, sequins and beads.
Image Credit-

Shine Shivan’s ‘Glimpse of Thirst’ at Gallery Maskara exhibits a provocative body of work including a large group of hybrid, fantasy characters crafted from various non-typical materials and a video installation.

Nityan Unnikrishnan

Nityan Unnikrishnan, Untitled, Mixed Media on Paper
Image Credit-

Chatterjee & Lall previewed Nityan Unnikrishnan’s solo show ‘While Everyone is Away’ during Art Night Thursday. This exhibition consists of fourteen paper-works and two sculptures, and is the first time the artist’s three-dimensional works have been shown. According to the exhibition note, “He derives from a variety of sources to build his works: memories, literature, the arts, Arcadia, the modern world, his present life. The individual works are open to a variety of interpretations; little niches and low voices offer up clues as the viewer navigates their densely worked surfaces.”

Risham Syed

Risham Syed, Untitled Lahore Series # 11, Acrylic on Board on Canvas
Image Credit-

Risham Syed’s first solo exhibition in India titled ‘Metropolyptical: A Tale of a City’ was on view at Project 88. The artist portrays modern day Lahore, a place she calls home, yet remains a complete stranger to, due to the construction and deconstruction which is a mystic version of post-modernity.

Imagine getting a chance to see different collections of great art for an evening every month. Four to five hours of one’s time spent in appreciating the creativity of the young and the established felt like no time at all! I consider this a MUST DO if you are visiting Mumbai or are in South Mumbai when the next editions of Art Night Thursday are taking place.