India Art Fair 2013: A Great Success

Elisabetta Marabotto of Saffronart reflects on an interesting article on the India Art Fair by Girish Shahane

India Art Fair

India Art Fair. Image Credit: http://www.indiaartfair.in/

London: For people who like me sadly could not make it to the India Art Fair 2013, Girish Shahane, Mumbai based art critic and curator, wrote an interesting blog post about the exhibit.

Comparing this edition to last year’s, the author notes that the fair was much clearer on its purposes and better organized. Some international galleries such as Houser and Wirth, Lisson and White Cube preferred not to join the fair again, partly because of the stringent Indian regulations and partly because they found the market underdeveloped. However, this withdrawal was not necessarily a negative move since it opened up space for other galleries such as Daniel Besseiche who was showing Bangladeshi artist Ahmed Shahabuddin and was appreciated by the Indian art lovers.

Shahane pointed out that this year the fair was more accessible to everyone. The subject matter of the exhibited works was more easily recognizable and the colours and visible skills of the artists took over from last year’s conceptual works which were appreciated only by a few. In addition, the occurrence of many galleries in one place was a great time saver for the people looking to purchase artwork but who didn’t want to spend the entire day roaming around Delhi or Mumbai.

Although this year the art fair was made for a wider audience, many events and parallel exhibitions were organized around Delhi for the art experts. A Nasreen Mohamedi Retrospective was held at the Kiran Nadar Museum of Art and other exhibitions at the British Council, IGNCA, National Gallery of Modern Art, Khoj Artist’s Workshop and the Devi Art Foundation.

The only drawback was that the last of the three pavilions at the fair was not as good as as the others, but still managed to attract many lesser-known art dealers.

All in all, the fair has been a great success for the galleries, viewers and the organizers, perhaps a sign that the economy is slowly raising up again.

Click here to read the full Girish Shahane’s blog post.

Must-Attends: Beyond the India Art Fair

Manjari Sihare shares details of some must-attend exhibitions and symposia in New Delhi coinciding with the India Art Fair 

New Delhi: If you are in India right now, Delhi is the place to be. The art world is gearing up for the country’s biggest annual art extravaganza, the India Art Fair starting on Friday, February 1 (with a preview the day before). Each year since its inception in 2008, the fair has grown larger. The 5th edition is bringing together 105 exhibiting galleries from 24 countries, presenting over 1000 works by some of the most exciting artists from across the world. But the action is not just limited to just the Fair. Outside of the Fair, there are some collateral exhibitions and events that I believe are MUST ATTENDS. Here is my list:

KNMA Noida EInviteA private museum for modern and contemporary Indian art, the Kiran Nadar Museum of Art (KNMA) is known to line up an ambitious program each year to mark its birthday (three years ago in January 2010, KNMA opened its first location in the HCL campus in Noida, on the outskirts of Delhi). The museum lives up to its reputation once again this year by unveiling an ambitious series of events. The first in line to open on January 18th was Zones of Contact an exhibition curated by three young and dynamic curators, Deeksha Nath, Vidya Shivadas and Akansha Rastogi. The curatorial note for the show notes that it is an attempt “to envision the museum as a site and an idea in flux, as a catalyst that by undergoing redefinition allows for concretized notions and experiences of modernity and post-modernity to be revisited and rethought.” In a country where there is really no state owned museum of contemporary art, an exhibition such as this one speaks volumes of the mission this private museum has set for itself to showcase and re-define contemporary art in the region.

On view from today is Difficult Loves , a trilogy of exhibitions curated by the Director and Chief Curator of KNMA, Roobina Karode. This includes the largest retrospective ever of the late Nasreen Mohamedi, an artist whose minimal works leave an unforgettable impression on the viewer, a tribute to India’s Frida Kahlo, Amrita Sher-Gil, and a group exhibition featuring iconic installation works of seven leading contemporary  women artists – Ranjani Shettar, Anita Dube, Sheba Chhachhi, Bharti Kher, Dayanita Singh, Sheela Gowda and Sonia Khurana. My personal favorite is Sheba Chhachhi’s Water Diviner, a version of which I first saw at the National Museum of Natural History in 48’c public. art.ecology curated by Pooja Sood and organized by the South Asian Network of Goethe Institutes in 2008. This series of shows promises to be spectacular. Not to miss at all!

KNMA exhibition

Tomorrow, the museum will be hosting two talks under the Critical Collective Symposia conceptualized and organized by veteran Delhi based critic and curator, Gayatri Sinha. The first of these is panel discussion between renowned South African contemporary artist, William Kentridge and Indian veterans, Vivan Sundaram and Nalini Malani. The second one is a talk by UK based art historian, TJ Demos, who is best known for his published work on the conjunction of art and politics.

KNMA talkThe India Art Fair always ends with the opening of an exhibition at the Devi Art Foundation. This time, it will the third and last edition of the Sarai Reader, an exhibition conceptualized by the Devi Art Foundation and Raqs Media Collective. Sarai Reader 9 is a nine month long project envisaged to draw on ‘exhibition’ as an evolving process, introducing new forms of creative thinking and methodologies. Invitations were open to anyone and everyone with an interesting idea and an engaging means of presentation, limited to a fixed duration and applicable within a space. The first  episode opened for viewing on 13 October, 2012, followed by another on 15 December last year. Read more about these episodes. This current episode will be on view until April 16, 2013. For more information, click here.

Devi Art Foundation - Sarai Reader

All the activity is not limited to Delhi only. Mumbai will see the opening of the first ever exhibition of William Kentridge’s work in India hosted by Volte Gallery. Of South African descent, Kentridge has exhibited worldwide in major venues such as the San Francisco Museum of Modern Art, the Philadelphia Museum of Art and the Metropolitan Museum of Art and MoMA in New York. His works mostly deal with subjects of apartheid and colonialism. This show featuring Kentridge’s eight multichannel projection installation, sculptures, drawings, tapestries, videos and prints, promises to be a blockbuster. The exhibition will be on view from February 6 to March 20, 2013.

William Kentrdige @ Volte Gallery