Thukral & Tagra: Q

Elisabetta Marabotto of Saffronart shares a note on T & T current exhibition: Q

Thukral & Tagra, Dominus Aeris Escape 5, 2013

Thukral & Tagra, Dominus Aeris Escape 5, 2013. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

London: Nature Morte is currently hosting at the Famous Studio in Mumbai “Q”, the second solo exhibition in Mumbai of artist duo Thukral & Tagra.

The exhibition revolves around a dear theme to T & T: the Indian diaspora  and the feelings of anxiety, insecurity and hope which are connected to that. In the specific “Q is the story of one of the many abandoned brides that haunt the state of Punjab, almost a contemporary fairytale fraught with loneliness, desperation and confusion, yet infused with hopeful dreams that are difficult to let go of.”

Thukral & Tagra, Dominus Aeris Facies 7, 2012

Thukral & Tagra, Dominus Aeris Facies 7, 2012. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

T & T’s art is colourful and provocative, which discusses harsh realities through bright colours and cartoon-like imageries.

“Most of our works address the issues, cultural shifts, problems and beliefs of people living in India today. We grew up with the general acknowledgement that most Indians dream of leaving India and moving abroad,” Thukral says, adding that the dream is “laced with anxiety and insecurity.”

Thukral & Tagra, Pinball 1 (Windows of Opportunity), 2012

Thukral & Tagra, Pinball 1 (Windows of Opportunity), 2012 . Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

The exhibition features paintings of different sizes as well as videos and installations. T & T recently also expanded their creativity with a collaboration with the Italian fashion brand Etro for which they designed a bag collection.

Thukral & Tagra, Pinball 11 (Windows of Opportunity), 2012

Thukral & Tagra, Pinball 11 (Windows of Opportunity), 2012. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

Q is on until December 17 at the Famous Studio, Mahalaxmi, Mumbai and you can read more information here.

 

 

Memoir: Progressive Artist Group

Shradha Ramesh takes a leap into the past to reveal the men behind the Modern Indian Art movement

New York: The trailblazer collection by Delhi Art Gallery (DAG), Progressive Artist Group, is now on display in Kalaghoda, Mumbai, from October 26, 2013 to December 25, 2013.A visual repertoire of 30,000 works the exhibit follows a retrospective theme of the Progressive Artists’ Group (PAG). Mumbai was the epicenter for this group that started in 1947, the exhibit is aptly located in the city the group was formed.

PROGRESSIVE ARTIST GROUP (PAG) | MUMBAI  1948 First show inaugrated by Sir Cowasji Jehangir

Photo Courtesy: KalaRasa Art House
PROGRESSIVE ARTIST GROUP (PAG) | MUMBAI 1948 First show inaugurated by Sir Cowasji Jehangir
(L to R: Emmanuel Schelinger, F N Souza, M B Gade, S Bakre, K H Ara, S H Raza, M F Hussain, Anant Kannangi)

PAG saw the light of visual maestros such as F N Souza, SH Raza, MF Husain, SK Bakre, HA Gade and KH Ara who rule the modern art market today. The other members who joined later were Vasudeo S. Gaitonde, Krishen Khanna and Mohan Samant.The group introduced anarchic thinking that leaned towards Indian avant-garde expression that introduced Indian art at an international level. It broke away from the nationalistic revival canons introduced by Bengal School of art and engaged in freedom of creation. Influenced by European modernism the group’s style is vast and ranges from Cubism to Abstract Expressionism. The founding pillars of the Progressive Artist Group (PAG) are Francis Newton Souza, Sayed Haider Raza and Maqbool Fida Husain.

 FRANCIS NEWTON SOUZA | Untitled | a) c.1965 b) 1997

FRANCIS NEWTON SOUZA | Untitled|a) c.1965 b) 1997

Goan born artist, Francis Newton Souza was recognized both in India and abroad. His artworks are known to be forthright and individualistic stylistic rendition of semi-abstract forms. The human forms in his works are unrealistic with multiple eyes and hands it created a sensation during his time. When asked about western influence in his work, he responded saying “Renaissance painters painted men and women making them look like angels. I paint for angels, to show them what men and women really look like.”

SYDER HAIDER RAZA| Maa...|2006

SYDER HAIDER RAZA| Maa…|2006

Sayed Haider Raza is known to introduce Bindhu to a new visual medium. On his canvas the Bindhu takes a new meaning, it creates a transcendental and enticing impact on the viewers. When asked about the Bindhu and its significance in his work, Raza said “For me, Bindu is a point where I concentrate, my energy, my mind. It has become like Bhagvat Gita, Swadharm and all that. You have to fix your energy on one thing and not ten things. If you go to ten directions, it’s distraction of energy. I think one woman is enough (laughs).If you say Ram Ram Ram and Allah Allah Allah, you will get confused. So one god is enough. For me Bindu has never done the same thing. There is logic in every abstract form that I make. My work is like poetry and it should create a different atmosphere for the visitor. Poetry, literature and art seem simple but it is very difficult to understand it.”  Coincidentally, Saffronart’s winter online auction this December is focusing on SH Raza.

MAQBOOL FIDA HUSAIN|ETERNAL MOTHER

MAQBOOL FIDA HUSAIN|ETERNAL MOTHER

Picasso of India, Maqbool Fida Husain (MF Hussain) is known to have revolutionized the painting in India with his hallmark works that capture the quintessence of his subjects, like Mother Teresa and the characters of epics like the Mahabharata. MF Husain explains about his Mother Teresa series, “I have tried to capture in my paintings what her presence meant to the destitute and the dying, the light and hope she brought by mere inquiry, by putting her hand over a child abandoned in the street. I did not cry at this encounter. I returned with so much strength and sadness that it continues to ferment within. That is why I try it again and again, after a gap of time, in a different medium” (as quoted in Ila Pal, Beyond the Canvas: An Unfinished Portrait of M.F. Husain, South Asia Books, New Delhi, 1994).
DAG was started by Rama Anand in 1993 and later was taken over by his son Ashish Anand. The gallery in Mumbai is 150 years old in artsy neighborhood that suits the overarching theme of the exhibit. To experience the peregrination of Modern Indian Art visit DAG Mumbai.

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A Surreal Experience

Shradha Ramesh reports on Neha Choksi’s exhibition at Projects 88, Mumbai.

New York:  Project 88 is the place to witness a liquefying Iceboat and blueprint of the sky in Sky Fold. The two works are the masterpieces of Neha Choksi, who steers your visual sensibility to an ethereal dimension.  A performance artist and sculptor, her works take reference from theatre, art and science. Choksi’s interest in temporary presence, in ‘an affirmative act of destruction’, and in gravity persists in all her works. Both her works Ice Boat and Sky fold are reminiscent of her interest. The works are on display starting October 3 to November 16, 2013 at Project 88, Mumbai.

Third among the video performance series, Neha Choksi has her audience entranced with her surreal Iceboat creation. Clad in a white monk like attire, the artist rows her way into Lake Pawna on a ice-boat under the blazing sun. The video is a sublime theatrical performance of the artist sinking with the boat. It appears like a twenty first century ritualistic practise of disengaging oneself. A lyrical enactment of dipping into the lake, her performance is timely and graceful. About her experience, Neha Choksi narrates:

“Everything is liquifying and it is a heady process to be part of that while it is happening.  You know you are headed for a second birth, a sort of baptism, if you will, and I put my back into rowing every now and then with extra vigour, as if I want to dissolve with my clothes and my equipment.”

The other two body of works that transacts with the notions of absenting and silence are Leaf Fall (2008) and Mind to Lose (2012).

 Sky Fold is the reflection of light on folded paper that creates a dynamic sense of depth and movement. The series is photographic work of cyanograms of varying sizes. By exposing the folded cyan colored paper to the sun, it creates a visual milieu of the evanescent sky. Neha Choksi creates a new visual language that transcends both visual art and theatre. The viewer gets enticed in both her performance and aesthetic creation.

To read more click here.

The Second Jehangir Sabavala Memorial Lecture By Rustom Bharucha

Elizabeth Prendiville shares a brief note on a talk with Rustom Bharucha this past weekend.

 New York: On October 4th The Jehangir Sabavala Foundation presented its second edition of an ongoing memorial lectures series. The lecture focused on the relationship between Gurudev Rabindranath Tagore and Japanese art historian and curator Okakura Tenshin. The talk was conducted and monitored by esteemed writer, cultural critic and director, Rustom Bharucha. Bharucha has authored several books on cultural exchange and globalization.

The lecture took place at The Visitors Centre in Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Fort in Mumbai.

We look forward to announcing more details from this event as it breaks.

Forerunner: An Ephemeral Transition

Shradha Ramesh reports on the show FORERUNNER at Chatterjee & Lal

Tandav III, 2012, Sahej Rajal

Tandav III, 2012, Sahej Rajal. Image credit: http://www.chatterjeeandlal.com/show-images-videos.php?LinkID=130

New York:  Sahej Rahal’s is prepped up for his second innings at Chatterjee & Lal gallery, Mumbai. We caught up with the artist last year, at the gallery, during his exhibit Bhramana II – a live performance art. It was a characterial confluence of art, history and mythical performance, to Rahal the elements of Bhramana II came together from varied sources. He said “The characters that inhabit these performances bare indices to different cultures, mythologies and pop culture.” While Bhramana I a sequel of Bhramana II, was a momentary performance act, his Tandav III is a photographic representation in a surreal setting.

Bhramana III, 2013, Sahej Rahal

Bhramana III, 2013, Sahej Rahal. Image Credit: http://www.chatterjeeandlal.com/show-images-videos.php?LinkID=130

A versatile artist Sahej Rahal converts everything around him into a creative exploration. He is known to intersperse reality with illusion. Having trained under Tejal Shah, Nikhil Chopra, Shumona Goel and Sophie Ernst his works are an amalgamation, of their teachings and techniques ranging from sculpture, video art and performing art. He has collaborated and worked at International forums, both in India and abroad. A short stint at Zurich residential program he created sculptures and installation with reference to war.

The Groom, 2011, Sahej Rahal

The Groom, 2011, Sahej Rahal. Image Credit: http://www.chatterjeeandlal.com/show-images-videos.php?LinkID=130

A visual milieu, Sahej Rahal’s artworks are cryptic evolution of various fictional and real time heroes. Being a hard-core Star Wars fan, one is lost in his monastic ‘Jedi’ like forms taking the center stage in his pictorial representation. He was influenced by Joseph Beuys a German, a Happening and performance artist, during his creation of Bhramana series, he said “I was going back to look at the things Beuys was looking at, the idea of the shaman as the storyteller, and looking at the art making process as a kind of alchemy.”

Threading the path of creating a surreal character in a real life urban ambience, Sahej Rahal has a child like euphoric reaction to every object he comes across. To Rahal found objects play a critical role in his creations, a bath tub was an integral part of his video creation as was the didgeridoo instrument in his Bhramana II performance art.  In the two minute film a monk like character has a bath in a mundane bath tub in a surreal ritual. He fascinated by war, rituals, ceremonial processes and myths. He is an artist with full of zeal and gives it all to his art he says “I just pick the coolest things I come across… it’s a lot of fun.”

Sahej Rahal’s current exhibit, Forerunner transpires from these diverse experience and explorations. A series of photography, video documentary and sculptures the show is a visual maze. One gets enamoured by the other worldly creatures and the dynamism.

Forerunner is on display at Chatterjee & Lal gallery, Mumbai until 28 September 2013.

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