Elisabetta Marabotto of Saffronart shares a note on Muhammad Zeeshan’s current exhibition at Latitude 28
Muhammad Zeeshan, Vidya, 2013. Image Credit: http://www.latitude28.com/index.php/works/newarrival/945
London: Latitude 28 in New Delhi is currently hosting Muhammad Zeeshan solo exhibition: Posternama.
The exhibition includes Zeeshan’s recent body of work which is inspired by miniatures’ imageries such as myths, stories of saints and martyrs and scholars which have been reinterpreted by the artist’s austere sensibilities and transformed into contemporary miniatures.
Muhammad Zeeshan, Buraq I, 2013. Image Credit: http://www.latitude28.com/index.php/works/newarrival/934
Zeeshan said about his work: “I am using poster images found locally within our culture. These imageries consist of mythical creatures and human. Within the Sufi culture lies a lot of fantastical stories. Using these stories, random local artists and believers have given their own faces to the Sufis and creatures, illustrating the time, events and landscape. I am using those posters to research and explore my own technique.”
Muhammad Zeeshan, Shah Abdul Latif Bhittai, 2013. Image Credit: http://www.latitude28.com/index.php/works/newarrival/939
The artist started his career as billboard painter and then studied miniature art at National College in Lahore. For this exhibition he experimented laser scoring which made his work meditative, almost spiritual.
Muhammad Zeeshan, Buraq II, 2013. Image Credit: http://www.latitude28.com/index.php/works/newarrival/935
The exhibition is on until January 5. For more information click here.
London: Starting from August 27, Latitude 28 presents Diver-Cities II. This exhibition is a celebration of cultural and urban diversities within India.
Baiju Parthan, End of Season, 2012. Image Credit: http://www.latitude28.com/index.php/works/newarrival/794
Eleven contemporary artists from different parts of India have been tasked to reflect on the idea of ‘city’ and its related concepts such as identity and globalization. Their works have then been brought together in one single exhibition to present their different interpretations and contemporary art practices.
Sunil Khilnani in The Idea of India noted: ‘India’s cities are hinges between its vast population spread across the countryside and the hectic tides of global economy, with its ruthlessly shifting tastes and its ceaseless murmur of the pleasures and hazards of modernity. This three-cornered relationship decisively moulds India’s future economic, cultural and political possibilities. The demographic drift across the world is unstoppably towards the urban.’ ‘Modern India’s political and economic experiences have coincided most dramatically in its cities – symbols of the uneven, hectic and contradictory character of the nation’s modem life. From the ancient sacred space of Benares to the decaying colonial pomp of Calcutta, from the high rationalism of Chandigarh to the software utopia of Bangalore, from Bombay’s uneasy blend of parochial politics and cosmopolitan to the thrusting new cities of the north. The evident urban disjuncture’s have enlivened distinct political sentiments. The real and imagined experience of the city has individually and together reconstituted both the nature and the range of the selves, the ‘identities’ that Indians can call their own.’
Praneet Soi, The Dream, 2008. Image Credit: http://www.latitude28.com/index.php/works/newarrival/803
For more information on the exhibition click here.
Sneha Sikand of Saffronart on the latest group exhibition of art from Pakistan showcased in the Indian capital
Alif by Mohammad Ali Talpur Image credit: Latitude 28
New Delhi: Currently on view at Latitude 28, New Delhi, is a group show of Pakistani artists curated by Ambereen Karamat. Gallery director Bhavna Kakar says, “Crossing Over is the bringing of disparate artworks intended to explore new meanings that at times merge and diverge creating crossovers with each other on irregularly chartered routes; the exhibition hopes to explore these new meanings fashioned within the boundaries effervescing globally.”
Science Philosophy Religion IV by Sajjad Ahmed Image credit: Latitude 28
Drawings on wasli by Saira Sheikh Image credit: Latitude 28
Darling tere liye by Muzzamil Ruheel Image credit: Latitude 28
The key element is the combining of established and emerging artists, to meet at a transit threshold. The exhibition focuses on new works at the point that acts as a bridge, a crossing over, to the other direction. With common use of visual references to images that work enigmatically around us in multiple layers, the artists have tinged this imperceptible relation between art and reality.
The exhibition will be running till March 2, 2013.