Mapping India: The Changing Perspectives of India in the Eyes of 16th century Europeans

Amy Lin of Saffronart offers a brief account of the history of India through European cartography

Sebastian Münster, Tabula Asiæ X’. Basel: Henricus Petri, 1545. Third Münster edition. Woodcut

New York: Until the modern ages, Europeans viewed India with a mix of enchantment and exoticism. This fascination is evident in the maps drafted by European explorers and scholars, among other documents. From antiquity to the Renaissance, the main source for Indian geographic information came from the Hellenistic cartographer Ptolemy’s Geographia. During the 15th century, the dawn of exploration coincided with the invention of printmaking, and revolutionized methods in cartography.

Laurentius Frisius,‘Tabula Asiæ X’. Strassburg: Joannes Gruninger, 1525. Woodcut

The magnificent maps of India included in the collection Imagining India on The Story by Saffronart date from 1525-1619. These documents chart changing European perspectives on the subcontinent – from a strange, misshapen land to a valuable center of trade for the West. Originally, there were 1,000 copies of most of these maps, but the majority did not survive over the centuries. Half science and half myth, these beautiful artifacts are both art objects and historical resources. For half a millennium, they represented India as a realm of the exotic, ever since Alexander the Great’s campaign first reached the peninsula in the 2ndA.D.

The earliest accounts of Indian geography were crude and rudimentary at best. Ptolemy poured over manuscripts at the Library of Alexanderia and complied the eight volume Geographia without setting foot in India. Well into the 16th century, scholars and mapmakers still relied on Ptolemy’s drafts for printing atlases. The German cartographer Sebastian Munster (1488-1552), featured in the collection on The Story, published editions of the Geographia where India’s southern peninsula was nonexistent. This reflected the fact that Alexander’s armies did not venture beyond Northern India, and the South remained unfamiliar to them.

Vasco de Gama leaves for India in 1497
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The Age of Discovery brought Vasco de Gama to India in 1497. Soon, the European concept of ‘India within the Ganges’ began to broaden and a realistic image of the Indian landmass began to circulate among scholars. Jacobo Gastaldi (1500-1566), a Venetian cartographer featured in the collection on The Story, was among the first to bring a modern image of India to Europe. His engravings show for the first time the considerable length of India’s peninsula. Gastaldi also pioneered other pinnacle developments such as pocket size atlases and the use of copper engravings in mapmaking instead of traditional woodcuts to bring out greater detail and finesse.

The maps in the collection on The Story are more telling than one presumes. By simply surviving through the centuries, they give a chronological account on how Indian geography changes in the eyes of Europeans though discovery, science and innovation. Nevertheless, what remains at the core are beautifully executed engravings that showcase the skill of a craftsman and the imagination of an artist.

Giacomo Gastaldi, ‘Calecut Nuova Tavola’. Venice: Vicenzo Valgrisi, 1562. First Latin edition of Gastaldi

The Story is Live!

Sneha Sikand of Saffronart on the launch of a new website for curated collections of beautiful and hard to find objects

New Delhi: The Storya new website by Saffronart, where you can browse, learn about and acquire desirable objects ranging from fine art, home accessories to jewels and timepieces has just launched. What is interesting is that the collections are not necessarily what you usually find in a Saffronart auction. Understanding the desire for people to acquire items that appease their aesthetic sensibilities, The Story by Saffronart has put together a mix of age-old tradition and innovation in its collections.

S.H. Raza, Maa…
Serigraphy on paper
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The artwork collections comprise limited edition serigraphs and prints from masters of the modern art world, both Indian and international, as well as revivals of traditional forms such as Bundi miniature paintings, and as Mithila paintings from Bihar.

Copperplate engraving, Gastaldi’s new map of India
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Other collections range from beautifully crafted Chinese wedding baskets, to an exceptional set of antiquarian maps dating to the 16th century that chart India through the eyes of European explorers and cartographers. Objects available in ‘The Story’ are listed on the website for a limited period of time.

While every collection on The Story is unique, together they represent the meeting of tradition and innovation, age-old craftsmanship and contemporary design. Each collection has been put together around a narrative; an account of a culture, place, custom, genre or technique. Some of these stories have also been woven around the aesthetic sensibilities, experiences and memories of highly regarded individuals- The Story’s discerning tastemakers – who have agreed to share their knowledge, collecting experience and good taste with you through the collections they curate.

Collections from The Story are now available and can be viewed and purchased on the website

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