Art Basel in Hong Kong: A Recap

Piya Shivdasani of Saffronart visits Art Basel Hong Kong and reports back on the first edition of this important Asian art fair

Pae White, Supertaster, 2013 two-sided mirror, paper and cable 101 x 211 cm; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

Pae White, Supertaster, 2013 two-sided mirror, paper and cable 101 x 211 cm; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

Singapore: By now, you would have read all the facts and figures available on Art Basel’s commercially successful debut in Hong Kong. It was a hit. The fair was so well-planned by its Swiss organisers that even the early ‘black rain’ warning and otherwise gloomy weather did not prevent the  A-list of the international art world, with their skyscraper heels and deep pockets, from attending the vernissage on May 22nd. Not only did they attend, but no sooner had they swiped their black cards at the turnstiles, than Yayoi Kusama’s Flame of Life – Dedicated to Tu-Fu (1988) sold for $2million at Victoria Miro / OTA Fine Arts, reportedly to an Asian collector. A very strong start for Art Basel in Asia.

Fabien Mérelle Pentateuque, 2013 Resin, Fiberglass, Hair, Steel  4.8 (h) x 3 (l) x 2.6 (w) m; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

Fabien Mérelle
Pentateuque, 2013
Resin, Fiberglass, Hair, Steel
4.8 (h) x 3 (l) x 2.6 (w) m; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

While the art fair was well attended by international collectors, including Roman Abromovich and Dasha Zukhova, Guy Ullens, Budi Tek, Uli Sigg and others, gallerists were aiming to entice the big Chinese spenders. Speaking to a mix of gallerists from Hong Kong, London and Mumbai, the general feeling was that while the Chinese were out in full-force, they didn’t engage in the quick and energetic buying one sees at Art Basel in Switzerland or in Miami. It is a gentler process in Hong Kong, one which requires patience but if the first edition serves as a crystal ball at all, this space is one to watch.

Seung Yul Oh 'Periphery' (2013) A "forest" of yellow balloon columns; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

Seung Yul Oh
‘Periphery’ (2013)
A “forest” of yellow balloon columns; Image Credit http://www.yatzer.com/highlights-art-basel-hong-kong-2013

For more information on Art Basel Hong Kong, see their official website. Also read the New York Times article on the fair, and another in the Miami Herald.

stART&D: A New Digital Platform for Contemporary Indian Art and Design

Nishad Avari shares a note about this new, exciting initiative, and offers a sneak peek of one of its first projects – a film on Shilpa Gupta’s ‘I Live Under Your Sky Too’

stART&DMumbai: Scheduled to launch later this year, with a host of interesting content focusing on contemporary Indian art, design and culture, stART&D is an inventive, edgy digital platform created by Anita Horam and Mozez Singh that will promote, produce and present all forms of arts and design that  represent “India cool”. stART&D promises a digital magazine, public exhibitions and more through Indian and international collaborations and partnership programs.

Their first project is a video presentation on the public installation of Shilpa Gupta’s site specific animated light work, ‘I Live Under Your Sky Too’, in Mumbai. This project was curated by Diana Campbell of the Creative India Foundation, who is also one of our guest bloggers.

Gupta’s piece was first installed in front of the Arabian Sea at Carter Road in Bandra, Mumbai, and is currently on view in the courtyard of Phoenix Mills mall at Lower Parel, Mumbai. First created in 2011, this piece has been exhibited at indoor and outdoor locations around the world, including in the exhibition ‘All You Need is Love’ at the Mori Art Museum in Tokyo this year.

Here is stART&D’s video on the installation:

 

Stay tuned for more information on stART&D.

To learn more about Shilpa Gupta’s installation, see the Creative India Foundation website and their Facebook page.

Atul Dodiya at the Philadelphia Museum of Art

Josheen Oberoi shares a note on the artist talk given by the renowned artist Atul Dodiya

New York: The Philadelphia Museum of Art recently inaugurated a new series of artist talks with a presentation by the very established and respected contemporary Indian artist Atul Dodiya.  Held on February 13, the talk titled Somersault in Muddy Waters – A Creative Journey took the audience on a trip with the artist, along the many roads his work has traversed. This was an interesting journey to undertake with this artist in particular because of the diversity of his chosen mediums and the complexity of his oeuvre’s visual language. As Darielle Mason (The Stella Kramrisch Curator of Indian and Himalayan Art at the Philadelphia Museum of Art) said in introducing Dodiya, “…his works and he so clearly bridge times, cultures and concepts…”.

Atul Dodiya
Sabari with her Birds, 2005
Lithograph and Chiri Bark paper collage on paper
50 x 40 inches
Purchased with the Stella Kramrisch Fund, 2007
Image credit: The Philadelphia Museum of Art

The artist began by speaking of the diverse western and Indian artistic traditions that have consciously been a part of his art. Starting with his first solo show from 1989, his talk went through the stages of his artistic processes and mediums. Self-identifying as essentially a painter, he spoke of the varied mediums he has worked in including his world famous shutters, cabinets, and watercolors. A significant component of his talk focused on the importance of Mahatma Gandhi in his life and his pervasive presence in his work, which had culminated in the artist’s 1999 series on the Mahatma titled An Artist of Non-Violence. We were also fortunately able to see a series of delicate watercolors by the artist that have not been shown in public – these are ornithological studies of birds that he said were done for leisure, for relaxation.

The Museum plans to post the talk online and I will update this post with a link when that is available. In the meantime, if you are in Philadelphia, please visit the museum. The work above, Sabari with her Birds, is part of the museum’s collection and is on exhibit for the next six months.

Crossing Over: Pakistani Art in India

Sneha Sikand of Saffronart on the latest group exhibition of art from Pakistan showcased in the Indian capital

Alif by Mohammad Ali TalpurImage credit: Latitude 28

Alif by Mohammad Ali Talpur
Image credit: Latitude 28

New Delhi: Currently on view at Latitude 28New Delhi, is a group show of Pakistani artists curated by Ambereen Karamat. Gallery director Bhavna Kakar says, “Crossing Over is the bringing of disparate artworks intended to explore new meanings that at times merge and diverge creating crossovers with each other on irregularly chartered routes; the exhibition hopes to explore these new meanings fashioned within the boundaries effervescing globally.”

Science Philosophy Religion IV by Sajjad AhmedImage credit: Latitude 28

Science Philosophy Religion IV   by Sajjad Ahmed
Image credit: Latitude 28

Saira SheikhImage credit: Latitude 28


Drawings on wasli
by Saira Sheikh
Image credit: Latitude 28

Darling tere liye by Muzzamil RuheelImage credit: Latitude 28

Darling tere liye
by Muzzamil Ruheel
Image credit: Latitude 28

The key element is the combining of established and emerging artists, to meet at a transit threshold. The exhibition focuses on new works at the point that acts as a bridge, a crossing over, to the other direction. With common use of visual references to images that work enigmatically around us in multiple layers, the artists have tinged this imperceptible relation between art and reality.

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The exhibition will be running till March 2, 2013.

Must-Attends: Beyond the India Art Fair

Manjari Sihare shares details of some must-attend exhibitions and symposia in New Delhi coinciding with the India Art Fair 

New Delhi: If you are in India right now, Delhi is the place to be. The art world is gearing up for the country’s biggest annual art extravaganza, the India Art Fair starting on Friday, February 1 (with a preview the day before). Each year since its inception in 2008, the fair has grown larger. The 5th edition is bringing together 105 exhibiting galleries from 24 countries, presenting over 1000 works by some of the most exciting artists from across the world. But the action is not just limited to just the Fair. Outside of the Fair, there are some collateral exhibitions and events that I believe are MUST ATTENDS. Here is my list:

KNMA Noida EInviteA private museum for modern and contemporary Indian art, the Kiran Nadar Museum of Art (KNMA) is known to line up an ambitious program each year to mark its birthday (three years ago in January 2010, KNMA opened its first location in the HCL campus in Noida, on the outskirts of Delhi). The museum lives up to its reputation once again this year by unveiling an ambitious series of events. The first in line to open on January 18th was Zones of Contact an exhibition curated by three young and dynamic curators, Deeksha Nath, Vidya Shivadas and Akansha Rastogi. The curatorial note for the show notes that it is an attempt “to envision the museum as a site and an idea in flux, as a catalyst that by undergoing redefinition allows for concretized notions and experiences of modernity and post-modernity to be revisited and rethought.” In a country where there is really no state owned museum of contemporary art, an exhibition such as this one speaks volumes of the mission this private museum has set for itself to showcase and re-define contemporary art in the region.

On view from today is Difficult Loves , a trilogy of exhibitions curated by the Director and Chief Curator of KNMA, Roobina Karode. This includes the largest retrospective ever of the late Nasreen Mohamedi, an artist whose minimal works leave an unforgettable impression on the viewer, a tribute to India’s Frida Kahlo, Amrita Sher-Gil, and a group exhibition featuring iconic installation works of seven leading contemporary  women artists – Ranjani Shettar, Anita Dube, Sheba Chhachhi, Bharti Kher, Dayanita Singh, Sheela Gowda and Sonia Khurana. My personal favorite is Sheba Chhachhi’s Water Diviner, a version of which I first saw at the National Museum of Natural History in 48’c public. art.ecology curated by Pooja Sood and organized by the South Asian Network of Goethe Institutes in 2008. This series of shows promises to be spectacular. Not to miss at all!

KNMA exhibition

Tomorrow, the museum will be hosting two talks under the Critical Collective Symposia conceptualized and organized by veteran Delhi based critic and curator, Gayatri Sinha. The first of these is panel discussion between renowned South African contemporary artist, William Kentridge and Indian veterans, Vivan Sundaram and Nalini Malani. The second one is a talk by UK based art historian, TJ Demos, who is best known for his published work on the conjunction of art and politics.

KNMA talkThe India Art Fair always ends with the opening of an exhibition at the Devi Art Foundation. This time, it will the third and last edition of the Sarai Reader, an exhibition conceptualized by the Devi Art Foundation and Raqs Media Collective. Sarai Reader 9 is a nine month long project envisaged to draw on ‘exhibition’ as an evolving process, introducing new forms of creative thinking and methodologies. Invitations were open to anyone and everyone with an interesting idea and an engaging means of presentation, limited to a fixed duration and applicable within a space. The first  episode opened for viewing on 13 October, 2012, followed by another on 15 December last year. Read more about these episodes. This current episode will be on view until April 16, 2013. For more information, click here.

Devi Art Foundation - Sarai Reader

All the activity is not limited to Delhi only. Mumbai will see the opening of the first ever exhibition of William Kentridge’s work in India hosted by Volte Gallery. Of South African descent, Kentridge has exhibited worldwide in major venues such as the San Francisco Museum of Modern Art, the Philadelphia Museum of Art and the Metropolitan Museum of Art and MoMA in New York. His works mostly deal with subjects of apartheid and colonialism. This show featuring Kentridge’s eight multichannel projection installation, sculptures, drawings, tapestries, videos and prints, promises to be a blockbuster. The exhibition will be on view from February 6 to March 20, 2013.

William Kentrdige @ Volte Gallery