‘Move on Asia’ – Video Art From Asia 2002 – 2012

Emily Jane Cushing suggests the ‘Move on Asia’ exhibition of Asian video art from 2002 to 2012.

London: The ZKM | Center for Art and Media Karlsruhe, Germany opened on February 9th their exhibition which shows the development of the video art genre and the increasing importance of Asia in contemporary art; the exhibition runs until August 4th 2013.

Meiro Koizumi: „My Voice Would Reach You“ (2009). Video still; Image Credit: http://regator.com/p/259249425/move_on_asia_video_art_in_asia_2002/

Meiro Koizumi: „My Voice Would Reach You“ (2009). Video still; Image Credit: http://regator.com/p/259249425/move_on_asia_video_art_in_asia_2002/

The increased interest in Asian arts resulted in the 2007 exhibition at the ZKM | Karlsruhe  curated by Wonil Rhee entitled “Thermocline of Art. New Asian Waves”. This exhibition was hugely successful in attracting world-wide attention to the Asiatic ‘moving image’; despite being only six years prior and fifty years since the emergence of video art, the need for a follow on exhibition showing the huge development in this genre is needed.

It is noted that as an art genre video art has continually been associated with the West despite much of the technology originating in Asia. This exhibition proves that over the last couple of decades the culture of video art has gained greater independence from Western models by showing at biennale’s and art exhibitions across the world.

The vast exhibition, containing over 140 works, is made up of works from video artists originating from thirteen Asiatic countries including China, Hong Kong, India, Indonesia, Japan, Korea, Pakistan, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand and Vietnam. In addition to the showing of established artists, recent works by new artists are also shown.

The exhibition displays a wide range of Indian art; Indian artists showing are Vishal K. Dar, Chitra Ganesh, Shilpa Gupta, Tushar Joag, Shakuntala Kulkarni, Nalini Malani, Pushpamala N., Sharmila Samant, Tejal Shah, Valay Shende, Shine Shivan and Thukral & Tagra.

“40+4. Art is "Not Enough! Not Enough" Image Credit, http://vimeo.com/48543105

“40+4. Art is Not Enough! Not Enough” Image Credit, http://vimeo.com/48543105

An interactive installation entitled “Global Fire” by the Paris-based artist Du Zhenjun may also be viewed in connection with the exhibition. “Global Fire” is a large inflatable dome in which the visitors may ignite the flags of 200 countries with lighters on heat censors. Also on show in the ZKM_PanoramaLab is the interactive video installation “40+4. Art is Not Enough! Not Enough” in which forty Shanghai based artists are interviewed about their works and asked to question their art in relation to the environment and the social impact of their artistic production. This installation resulting from the collaboration between the curator Davide Quadrio, the filmmaker Lothar Spree as well as the video artist Xiaowen Zhu is truly insightful and fascinating.

“Global Fire” by the Paris-based artist Du Zhenjun, Image Credit; http://duzhenjun.com/installations/global-fire/

“Global Fire” by the Paris-based artist Du Zhenjun, Image Credit; http://duzhenjun.com/installations/global-fire/

This exhibition runs until 4th August 2013; view the website for more details on this exciting exhibition.

Also, for those wishing to read more about Indian video art, I have found a really interesting article from Tehelka Magazine with Pakistani artist Bani Abidi discussing Indian Video art and it’s increased popularity here; it’s a great read!


Books and Mortar by Asia Art Archive, Hong Kong

Tarika Agarwal of Saffronart discusses the impact of a Mobile Art Library in Sri Lanka

Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Exhibition view. Photo: Courtesy Raking Leaves

Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Exhibition view. Photo: Courtesy Raking Leaves

Mumbai: ‘Open Edit: Mobile Library’ is a traveling archive of contemporary art books drawn from the collection of Hong Kong based Asia Art Archive. The books will travel to locations around Asia, making it possible for broader audiences to access and interact with this unique learning resource beyond Hong Kong.

Preparations for opening of Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Photo: Courtesy Raking Leaves

Preparations for opening of Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Photo: Courtesy Raking Leaves

Following its first edition in Ho Chi Minh City in 2011, starting mid March all the way till early July, the library travels to Sri Lanka, making its first appearance in South Asia. When it was decided that the location would be Sri Lanka, Raking Leaves, an organization that commissions and publishes contemporary art projects was invited to act as its host.

It all begins in Jaffna, where the books will be housed at Christa Seva Ashram for three months, while the University of Jaffna’s Fine Arts (Art History) and Art & Design departments will integrate the library and its materials into their day-to-day curriculum activities. The project will be accompanied by a series of programs targeting artists, students, creative professionals, teachers, and academics. The project will also invite students and teachers from the Eastern University in Batticoloa and the Visual and Performing Arts University, Colombo, to utilize the rich array of materials in the archive.

Opening of Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Photo: Courtesy Raking Leaves

Opening of Open Edit: Mobile Library at Seva Christa Ashram, Jaffna, Sri Lanka, 2013. Photo: Courtesy Raking Leaves

The opening of the Mobile Library was held outside the Ashram between the many trees on the ashram’s grounds. There were roughly 300 people who attended the event; a lot of them were students who were very excited with this opportunity that has presented itself to them. A lot of the people are still surprised with the idea that Jaffna could be a place where people or things of any importance come.

When the library moves on, and all the books disappear, its true impact will take time to register. Some of the books among the 400 titles that make up this ‘Mobile Library’ are Faith and the City: A Survey of Contemporary Filipino ArtA Strange Heaven: Contemporary Chinese PhotographyThe Geeta Kapur Reader; editions of YishuChina Post–1989Currents in Korean Contemporary Art; six years worth of Art Asia Pacific’s Almanacs” and 10 Years of Video Art in Indonesia 2000–2010. By the time the library closes and the books are returned to AAA Hong Kong, it is anticipated that the collection will have been seen by over 1,500 art and design students, art professionals, teachers and of course the members of the Sri Lankan public.

To learn more about this initiative, read an article by Sharmini Pereira, an independent curator and founder director of Raking Leaves on the Guggenheim UBS MAP Global Art Initiative Blog.