Medha Kapur of Saffronart shares a note on Art+Auction’s 2012 Power Collectors List which features Indian collector Kiran Nadar
Every year, Art+Auction publishes its ‘Power’ list, spotlighting those individuals who have stood out in the art world over the year. This year, the nine-part list, which was released last week, includes experts from all corners of the arts: Auction Power, the Power of Tradition, Power Collectors, Design Power, Power Dealers, Power Patrons, Power Players, Power to Watch, and Power Personalities.
Being on Art+Auction’s Power 100 list, an individual shares only one characteristic with the fellow listees: distinction! So,how is who does and doesn’t make the list determined?
ARTINFO, under whose banner Art+Auction is published, canvas widely, soliciting contributions from all over the world to make sure the list is comprehensive. They aim to strike a balance between equally valid yet frequently competing areas of influence —weighing curatorial prominence against the character, agency, and the clout of individuals. Connections, magnetism, and leadership also play a role, especially when it comes to private collectors. A candidate’s future potential or ascendancy is also a quality they try to assess when considering for potential inclusion on the list.
The third of nine installments published by Art+Auction this year includes a list of individuals who are putting together groundbreaking collections: ‘Power Collectors.’ Among the top power collectors of 2012 is one well known name in India – one of the most important collectors of modern and contemporary Indian art – Kiran Nadar. Other collectors on the list include François Pinault, George Economou, Leon Black (who recently acquired Edvard Munch’s 1895 pastel version of The Scream for $120 million, the most expensive work of art sold at auction to date), and Len Blavatnik.
Kiran Nadar with an installation by Subodh Gupta.
Image Courtesy: http://www.artinfo.com
Nadar established the KNMA (Kiran Nadar Museum of Art), India’s first privately owned museum, which has an illustrious collection of about 700 modern and contemporary works. In 2010, Nadar bought S.H. Raza’s 1983 painting Saurashtra for a record-breaking £2,393,250 ($3.5 million) at an auction house in London. In April 2012, Nadar unveiled her most ambitious acquisition yet — Subodh Gupta’s 26-ton, 30-foot-high Line of Control, first displayed at the 2009 Tate Triennial. Line of Control was installed at the central foyer of the DLF South Court Mall in Saket, Delhi. It took 80 man hours, about 3 dozen people, unimaginable logistical effort, and superb execution to erect one of the largest public sculptures in the country.
Saurashtra | S H Raza
1983
Image Courtesy: http://www.knma.in/
Line of Control | Subodh Gupta
2008
Image Courtesy: http://www.knma.in/
The KNMA possesses works by other artists including Tyeb Mehta, Nasreen Mohamedi, M.F. Husain, Anish Kapoor, Arpita Singh, F.N. Souza, Jamini Roy, A. Ramachandran , S.H. Raza, Subodh Gupta, Jogen Chowdhury, Krishen Khanna, Manjit Bawa, N. S. Harsha, Ram Kumar, Rameshwar Broota, and V.S. Gaitonde among others. Some of the more noteworthy ones include Bharti Kher’s The Skin Speaks A Language Not Its Own, Rina Banerjee’s The world as burnt fruit and Akbar Padamsee’s Grey Nude.
The Skin, Speaks a Language Not Its Own | Bharti Kher
2006
Image Courtesy: http://www.knma.in/
Grey Nude | Akbar Padamsee
1960
Image Courtesy: http://www.knma.in/
The World as Burnt Fruit | Rina Banerjee
2009
Image Courtesy: http://www.knma.in/
Kiran Nadar is married to Shiv Nadar, founder chairman of HCL Technologies and the Shiv Nadar Foundation.
