All images and text from “A Dozen Jewels From The Oscars” by the National Jeweler.
All images and text from “A Dozen Jewels From The Oscars” by the National Jeweler.
Ipshita Sen of Saffronart shares a note on Atul Dodiya’s current exhibition at the National Gallery of Modern Art in New Delhi.
New York: Atul Dodiya, is one of India’s leading and most significant contemporary artists. His solo exhibition ‘ Experiments with Truth’ at the National Gallery of Modern Art in New Delhi, curated by cultural theorist and poet Ranjit Hoskote, brings together for the first time over 80 works by the artist over his prolific career from 1981-2013. It will also show works made by the artist during his time as a student at the J. J. School of Art in the early 1980’s.
Atul Dodiya at National Gallery of Modern Art, New Delhi
Image Source: http://www.platform-mag.com/art/atul-dodiya.html?para=2#article_title
The exhibition highlights Dodiya’s versatile artistic practice as he experiments, embraces and explores with various mediums- oil, acrylic, watercolor, mixed media works, sculpture installations, assemblages and photography. His tendency to work with different media and refusing to stick to a homogenous style is distinctive of Dodiya’s work. It is this ability of working across various mediums and juxtaposing Western art history and popular Indian culture through his work, that marks his oeuvre and makes him one of the most sort after and distinguished contemporary artists in India.
Dadagiri, 1998. Oil, acrylic and marble dust on canvas.
Image Source: http://www.gallerychemould.com/news/atul-dodiya-experiments%20with%20truth.html
The audience is confronted with a variety of forms and mediums capturing the contrasting nature of change. Dodiya being highly influenced by Mahatma Gandhi and his philosophy puts the exhibition in perspective and forms an invisible string connecting the political, cultural and spiritual contexts in his expansive work. Atul Dodiya’s own artistic journey has been considered as constant experiments with the ‘truth’.
Collecting for the Harijan, 1944.
Image Source: http://www.sunday-guardian.com/artbeat/dodiya-looks-for-truth-in-a-changing-world
Strong influences of artists such as Nandalal Bose, Benodebehari Mukherjee, Marcel Duchamp, Joseph Beuys, Tyeb Mehta, Gerhard Richter and Bhupen Khakhar can be traced in Atul Dodiya’s art. Works by these masters will also be on display as reference points, enabling the visitor to comprehend Dodiya’s work more effectively.
Image Source: http://caravanmagazine.in/showcase/experiments-truth-art
Atul Dodiya pursued his bachelors of Fine Arts from Sir J. J. School of Art in Mumbai. He furthered his academic training at the École des Beaux-Arts in Paris from 1991 to 1992 subsequent to a scholarship awarded by the French Government. He currently lives and works in Mumbai.
Ipshita Sen of Saffronart shares a note on Raqib Shaw’s current exhibition at Pace Gallery.
New York: Raqib Shaw once again makes his mark in the New York public art scene. With his last show in 2008 at the Metropolitan Museum of Art, this year Pace Gallery holds a three-venue exhibition of the artist.
Arrival of the Ram King – PARADISE LOST II, 2011-2013. Oil, acrylic, enamel, glitter and rhinestones on Birch wood
http://artdaily.com/news/66103/Monumental-exhibition-spans-all-three-of-Pace-s-25th-Street-galleries-in-Chelsea#.UpFrLGTk9cQ
The exhibition titled ‘Paradise Lost’ is based on the theme of John Milton’s Paradise Lost. His works are a blend of Indian mythological figures, half man half beast, warring through renaissance inspired landscapes. They are an interesting juxtaposition between Indian miniatures and classical Western architecture. This series of work portrays the triumph of the East over the West –illustrated through the shattered monuments depicted in the works.
His artistic oeuvre is unique and distinctive. Sir Norman Rosenthal says that “Shaw creates truly modern transformations of lost worlds of culture that arise from the exotic gardens of Kashmir to the memories that lie ‘imprisoned’ in the great museums of the Western World.”
Raqib Shaw is born in Calcutta and educated in London. He has had a solo exhibition at the Tate Modern in 2006 and several other group shows.
This exhibition is on until January 11, 2014
Josheen Oberoi shares a note on an upcoming art benefit in New York
New York: Saffronart, New York is pleased to announce a silent auction benefit on November 21st for the New York based nonprofit South Asian Women’s Creative Collective (SAWCC). Following on the heels of the auction held to benefit the +91 Foundation in September, Saffronart continues it’s commitment to supporting the arts and artistic community.
SAWCC, an arts organization established in 1997 and dedicated to the visibility and development of emerging and established South Asian women artists and creative professionals, SAWCC provides physical and virtual space to profile their work across disciplines. Visual arts exhibitions, literary and performance art festivals, film screenings – SAWCC’s programming provides visibility to a wide variety of creative disciplines.
Featuring fifty two works by young and established, well collected artists, this auction allows young collectors to buy art at affordable and sometimes below-market prices. After a landmark 15th anniversary in 2012, featuring the retrospective exhibition Her Stories at the Queens Museum of Art, and an outstanding performance, SUBLIME, at the Dumbo Arts Festival this year, this silent auction will raise funds to sustain SAWCC’s exciting future programming.
Here’s a snippet of what will be available. For more, please join us tomorrow.
@Saffronart
595 Madison Avenue, Ste 900
New York NY 10022
Elizabeth Prendiville of Saffronart shares her experience attending Subodh Gupta’s performance feast “Celebration” at Performa 13.
Subodh Gupta “Celebration” at Performa 13
New York: For the past three months, I have had the opportunity to participate in the Performa Intensive program through New York University. This included researching, assisting and participating in the production process for the well-known, visual art performance biennial under the Founding Director Roselee Goldberg. Throughout the process the most memorable and unique experience has been participating in Subodh Gupta’s piece “Celebration”, both as an aid to the kitchen staff and as a guest. Gupta is well known for his large-scale installations made from everyday objects from the Indian Subcontinent, specifically food containers such as steel tiffin boxes, thali pans and large pails. His work touches on the histories of Duchamp’s readymades, while simultaneously addressing issues of everyday life in India. Sources of inspiration range from politics to social issues. For “Celebration” (held at The Old Bowery Station) Gupta has constructed a massive chandelier made of various sized steel containers and a dazzling collection of light bulbs. The piece embodies the artist’s ability to transform these everyday vessels, while still honoring their place in everyday life. In addition to his spectacular installation, Gupta’s performance focuses on the concept of “feast” and how this event brings individuals together. Eight times throughout the biennial he prepared an elaborate meal for around fifty guests to enjoy, sharing the space with his spectacular chandelier.
Subodh Gupta at Performa 13
Presented with the opportunity to assist in the kitchen for this project I was excited to get to see one of my favorite artists creating something innovative, yet so customary. Gupta’s piece stressed the role that feasting has in every community. Whether it is shared in mourning, happiness or simply togetherness, communal food presents an important element in every culture. While helping in the kitchen, I was thrilled to see the artist actively involved in every part of the meal. He would be quickly stirring a pot and seconds later run over to direct and interact with the kitchen staff, preparing other elements of the meal. Simultaneously with being involved in the execution of every single part of the meal, Gupta also directed art handlers in the installation of his massive chandelier in the next room. The entire kitchen was buzzing with excitement and energy the way a family home would before a big holiday. Very rarely does one have the opportunity to witness an artist do something (aside from their chosen craft) with the passion and delight that Subodh Gupta expressed while cooking in the Bowery Station space.
“Celebration” by Subodh Gupta. The Old Bowery Station. Taken by Elizabeth Prendiville
Having this behind the scenes experience and actively participating in everything from plating bananas for dessert and drying cups to carrying packs of King Fisher beer into the event space, contributed to my understanding of Gupta’s performance. As a guest I immediately noticed that the space was pulsing with energy. Guests chatted, drank, ate and enjoyed the full sensory experience of “Celebration” from start to finish. As dessert was being served the artist took a moment to speak. He stressed the importance of community feasting in every culture, especially in India. Gupta explained that in Indian communities it is very common to share and serve food for strangers and foster new friendships in this celebratory setting. This was very fitting for the experience we shared as each table was packed with different groups mingling freely. When asked if his family or some other outside source influenced the menu Gupta simply said “I cooked the food I like to eat”. “Celebration” was truly a heartfelt performance that the artist generously shared with everyone in attendance.
“Celebration” by Subodh Gupta. The Old Bowery Station. Taken by Elizabeth Prendiville
Performa 13 runs through November 24th. For more information about artist’s classes, performances and other programming check out the official Performa 13 website here.
