Guggenheim Museum’s South and Southeast Asian Exhibition

Medha Kapur of Saffronart on an upcoming exhibition of Contemporary Art for South and Southeast Asia at The Guggenheim Museum. 

Mumbai: The Solomon R. Guggenheim Museum in New York, one of the world’s most renowned museums, will host the exhibition ‘No Country: Contemporary Art for South and Southeast Asia’. This inaugural exhibition of the  Guggenheim UBS MAP Global Art Initiative presents works by 22 artists from Bangladesh, India, Indonesia, Malaysia, Myanmar, Pakistan, the Philippines, Singapore, Thailand and Vietnam. It is a five-year program involving curatorial residencies, touring exhibitions and new acquisitions. After New York, the exhibition will be travel to venues in Singapore and Hong Kong. All the works featuring in the show have been acquired by the museum and will become part of its permanent collection.

The exhibition includes works by Tayeba Begum Lipi, one of Bangladesh’s leading contemporary artists, Filipino multidisciplinary artist Poklong Anading, Indian multidisciplinary artist Shilpa Gupta and more. Works showcased in this exhibit will vary across a range of paintings, sculptures, photography, video, works on paper and installations.

Here is a selection of the artworks that will be on show:

Tayeba Begum Lipi -“Love Bed”

Tayeba Begum Lipi -“Love Bed”
Image courtesy: http://www.thedailystar.net/newDesign/news-details.php?nid=265185

Norberto Roldan F-16, 2012

Norberto Roldan
F-16, 2012
Image courtesy: http://www.huffingtonpost.com

Poklong Anading Counter Acts, 2004

Poklong Anading
Counter Acts, 2004
Image courtesy: http://www.huffingtonpost.com

Arin Dwihartanto Sunaryo Volcanic Ash Series #4, 2012

Arin Dwihartanto Sunaryo
Volcanic Ash Series #4, 2012
Image courtesy: http://www.huffingtonpost.com

The Ghost of Mohammed Bin Qasim

Bani Abidi
The Ghost of Mohammed Bin Qasim, 2006
Image courtesy: http://www.huffingtonpost.com

A Word of Thanks & Happy 2013!

Dear Readers,

Here’s wishing you a very happy and prosperous 2013 ! The past year was an eventful one for Saffronart as we introduced an array of new categories and collectibles by way of our auctions and The Story, our new website featuring unique objects in curated collections available for sale every day!

Happy New Year from Saffronart

It was also the inaugural year for our blog launched in April of 2012. In a span of six months, we have come a long way with a readership of 1600 plus. We were happy to feature exciting reviews reports and interviews through this course. Some highlights included a guest post on Arpita Singh’s New York solo exhibition at the DC Moore Gallery, a series of walk-throughs of the Metropolitan Museum’s new Islamic galleries, a review of Zarina’s solo show at the Hammer Museum, interviews withTarun Tahiliani and Shilpa Shah of the TAPI Collection, as well as collectors like Anupam Poddar,and Kamran Anwar weighing in on their favorite lots from our inaugural Pakistani  auction. Other exciting conversations included one between guest blogger Diana Campbell, artist Rathin Barman and gallerists Priyanka and Prateek Raja, an interview with the Director of the ARKEN Museum in Copenhagen and with Beth Citron, the curator of the Rubin Museum on their exhibition program dedicated to Modern Indian Art as also one with  Sarnath Banerjee about his London public art project, ‘Gallery of Losers’.

We thank you for your support and look forward to bringing timely and engaging news, interviews, images and more from our offices around the world. A special word of thanks for our guests bloggers for their contributions. We hope our regular posts on this blog continue to offer you new insights into the products we feature in our online auctions, new ideas about collecting, and also a new perspective on Saffronart.

Best wishes,

Team at Saffronart Blog

Exploring Mughal India: Art, Culture and Empire at the British Library

Elisabetta Marabotto of Saffronart in conversation with Malini Roy, curator of the current Mughal exhibition at the British Library, London

Mughal India Art, Culture and Empire, British Library, London

Mughal India Art, Culture and Empire, British Library, London

London: On display at the British Library until April 2013, ‘Mughal India: Art, Culture and Empire’ celebrates the Mughal empire for the first time in its entirety, from its beginning to its eventual decline (1526-1858).

The exhibition, divided thematically, explores the rich cultural heritage the Mughals left  in the fields of art, architecture, literature and science, and it also celebrates the patrons that made these innovations and discoveries possible.

I had the pleasure of meeting Malini Roy at the British Library and asking her few questions about the exhibition.

Malini Roy, Curator of Mughal India: Art, Culture and Empire, British Library, London

Malini Roy, Curator of Mughal India: Art, Culture and Empire, British Library, London

Q: The exhibition Mughal India covers the entire Mughal period for the first time. Why did you decide to cover the entire period and not just focus on a certain aspect or time frame?

A: I decided to focus on the whole Mughal Period because no one really looks at the entire period. Also, my interest and research is on the late Mughal Period and I wanted to include it in this exhibition and the British Library has an extensive collection covering the entire period.

Q: How many works are on display? What is their provenance?

A: There are circa two-hundred works on display. Most of them are from the British Library Collection, the rest are from institutions and museums’ collections such as the Victoria and Albert Museum (London), the British Museum (London), the Royal Asiatic Society (London), the Bodleian Library (Oxford), the India Office Library Collection (London) and the Royal Collection (Windsor).

Q: What are the highlights of the exhibition? What is the most significant work for you?

A: There are many highlights of the exhibition [which you can enjoy in the slideshow at the end of the interview] so it is quite difficult to choose a few. Personally I really like “A Panorama of  Delhi by Mazhar ‘Ali Khan”. It is an impressive five meter long painting showing the Delhi panorama drawn from the view point of the Lahore Gate of the Red Fort. Also, the playful “Squirrels in a Plane Tree” is one of my favourite works.

A Panorama of Delhi by Mazhar 'Ali Khan. Image Credit: © The British Library Board

A Panorama of Delhi by Mazhar ‘Ali Khan. Image Credit: © The British Library Board

Squirrels in a plane tree. Image Credit: © The British Library Board

Squirrels in a plane tree. Image Credit: © The British Library Board

Q: At the beginning of the year the Ashmolean Museum presented ‘Visions of Mughal India: The collection of Howard Hodgkin’, and the Fondazione Roma Museo is currently showing: ‘Akbar: The Great Emperor of India’. Now the British Library is hosting ‘Mughal India: Art, Culture and Empire’. It is evident that there is a great interest in Mughal India. What is your opinion on this?

A: The interest in Mughal art and culture has been constant. It is one of the most celebrated periods of Indian history. However the last exhibition dedicated to the entire Mughal Period dates 1982 and was held at the Victoria and Albert Museum: ‘The Indian Heritage: Court Life and Arts under Mughal Rule’. So we wanted to remind people of our collection of Mughal miniatures and show these fine works of art.

Q: To whom is this exhibition directed? How many visitors are you expecting? How has the response been so far?

A: Traditionally, British Library exhibitions attract traditional museum visitors. However we have had a quite diverse audience so far, many art and primary school students came to see the exhibition. The response has been very positive, we had very positive reviews from newspapers, art magazines  and the exhibition is listed as one of top exhibitions at the moment in London. And we are definitely meeting our target with an average of 360 visitors per day.

Q: What is the main message behind this exhibition?

A: I wanted to showcase the wonderful collection the British Library has and that people don’t know about and also celebrate some the greatest patrons of Indian art and architecture that created some of finest artworks which still witness their grandeur. Also since now the interest seems to be more on modern and contemporary Indian art I wanted to bring the Mughals back under the spot light.

Mughal India: Art, Culture and Empire is definitely a must see if you are in London. The exhibition will make you experience traditional Mughal life during your visit and educate you through superb works of art.

More information on the exhibition can be found on the British Library website. Below you can enjoy a slideshow of highlights from the exhibition.

This slideshow requires JavaScript.

Dr. Malini Roy is the Curator of Visual Arts at the British Library. Her field of research focuses on later Mughal painting and Company paintings produced during the late eighteenth and early nineteenth century in the provinces of Awadh and Bengal as well as at the Mughal capital of Delhi.

 

The Sovereign Art Foundation and Prize

Medha Kapur of Saffronart shares a note on The Sovereign Art Foundation and its esteemed Prize

The Sovereign Art Foundation Established in 2003, The Sovereign Art Foundation is a registered charity in Hong Kong and the United Kingdom. The Foundation works with M’Lop Tapang, Kalki Welfare Society, Kids Company, and many more charities and funds to raise money to help disadvantaged children using the arts as rehabilitation, education and therapy. The Foundation was set up by Howard Bilton, a tax lawyer who turned his art-collecting hobby into the Foundation, which also runs what is now Asia’s largest art prize. Howard is also the chairman of The Sovereign Group.

The Foundation annual Sovereign European and Asian Art Prizes give recognition to some of the most important artists of our time. They essentially invite established artists to enter the competition which carries a first prize of US$ 25,000. All artists that enter the competition are judged by a panel of art experts, and the longlisted 30 show their work at an exhibition. The announcement of the prize winner is made during the exhibition or at the Foundation’s charity auction dinner. A US$ 1,000 Public Prize is also awarded by the Foundation based on votes cast by the public at the exhibition or through the Foundation’s website.

In 2011, the Sovereign Foundation launched the Sovereign African Art Prize which aims at raising public awareness about African art, offering recognition and opportunity to African artists, and raising significant funding for charities in Africa.

Sarnath Banerjee

Sarnath Banerjee
Lalbazaar Detective Department: Lower Pile

Sarnath Banerjee is an Indian graphic artist who has made it to the top 20 of the Sovereign Asian Art Prize this year. His artwork at the Foundation is mainly text and image based, with the intention of simplifying complex systems chiefly to understand them. In the process, he brings levity and emotional depth to otherwise incomprehensible subjects. You can vote for Sarnath Banerjee on the Foundation website, and read an earlier interview with him on this blog here

Miguel Payano Sha-Boy

Miguel Payano
Sha-Boy
Winner of the 2010 Public Prize
Image Courtesy http://www.sovereignartfoundation.com

JeongMee Yoon The Pink Project II - Lauren & Carolyn and their Pink & Purple things

JeongMee Yoon
The Pink Project II – Lauren & Carolyn and their Pink & Purple things
2011 Sovereign Asian Art Prize Winner
Image Courtesy http://www.sovereignartfoundation.com

Halim Al-Karim - Witness From Baghdad 1

Halim Al-Karim (Iraqi, b. 1963)
Witness From Baghdad 1
Image Courtesy http://www.sovereignartfoundation.com

FOCUS Photography Festival 2013

Sneha Sikand of Saffronart on an upcoming celebration of photography in Mumbai

Focus Festival 2013Image credit: http://www.focusfestivalmumbai.com

Focus Festival 2013
Image credit: http://www.focusfestivalmumbai.com

New Delhi: Come March 2013 and it will be time for Mumbai’s first ever festival of photography. Open to all, it will be spread across various venues in the city, including museums, galleries, restaurants and other public spaces. The central theme of the festival is THE CITY – a celebration of life in these constructed spaces that become part of one’s identity. FOCUS aims to promote the works of young and established photographers from India and abroad.

Organised in collaboration with Asia Art Projects, FOCUS wants to emphasize the relevance of photography and how it translates an individual’s history and creates a larger vision.

FOCUS has also partnered with Wishberry, a crowd-funding platform to raise funds which will be used to organize and promote the event.

Also, in conjunction with the event,  a series of competitions for student, amateur and professional photographers will be held. More information will be available on the FOCUS website soon.