5 Art Happenings to Keep You in the Know

Alekha Engineer of Saffronart keeps you up to date on recent happenings in the art world
If you’re all caught up in FIFA fever and haven’t kept abreast of art, here are five events that would be great conversation starters:

1. A Claude Monet painting, Nympheas, sold for £32 million at an auction in London on Monday, 23rd June. The sale marks the second highest price ever paid for a work by the renowned impressionist painter.

Monet’s Nympheas  Image Credit: BBC News Online , http://www.bbc.com/news/entertainment-arts-27991977

Monet’s Nympheas
Image Credit: BBC News Online. http://www.bbc.com/news/entertainment-arts-27991977

2. An original drawing of Tintin, made in 1937 by Herge, the creator of the series, sold for a record 2.65 million euros at an auction in Paris. The 2-page spread intended for the inside covers of Tintin books set a new record price for a comic book strip.

Herge’s original drawing showing some of the easily recognisable panels from the comics Image Credit: Artcurial.com

Herge’s original drawing showing some of the easily recognisable panels from the comics
Image Credit: Artcurial.com

3. Art Basel 2014 closed on Sunday, June 22nd to resoundingly positive reviews. The fair once again proved to be a leader in the industry, with large volumes of sales taking place both during the preview and continuing through the week. This years edition featured two leading Indian contemporary galleries, Chemould Prescott Road, Mumbai and Gallery SKE, Bengaluru.

Art Basel 2014 Image Credit: Niels Ackermann for The New York Times

At the opening of Art Basel 2014
Image Credit: Niels Ackermann for The New York Times

4. The Whitney Museum of American Art opened its largest exhibition dedicated to a single artist on Friday, June 27th. ‘Jeff Koons: A Retrospective’ features close to 150 pieces created between 1978 to the present. The show has opened to mix reviews, not surprising as the artist himself is widely lauded but often criticised.

Jeff Koons' Sculpture, "Play-Dough", which took 20 years to complete Image Credit: Fred R.Conrad for The New York Times

Jeff Koons’ sculpture, “Play-Dough”, which took 20 years to complete
Image Credit: Fred R.Conrad for The New York Times

5. The Arts Council England and the BBC re-launched a web platform, The Space. It was initially launched in 2012 as a six-month pilot programme with  live broadcasts and archive footage functioning as an on-demand digital arts service. It is back as a free website for users to explore new art commissioned by the organization. The Space commissions works across genres through open calls and partnerships with new works launched every Friday. Ai Weiwei has lent his support to the initiative, donating his personal data for use at the sites inaugural event, ‘Hack the Space’, held on June 13 and 14 at the Turbine Hall at the Tate Modern. The world-renowned artist gave the names of over 5000 children and young people who died in 2008’s Sichuan earthquake in China, after the government refused to release the names.

“Hack the Space” at the Tate Modern Image Credit: David Parry/PA, theguardian.com

“Hack the Space” at the Tate Modern
Image Credit: David Parry/PA, theguardian.com

Duplicator’s Dilemma| Atul Dodiya

Elisabetta Marabotto of  Saffronart shares a note on Duplicator’s Dilemma, Atul Dodiya’s solo exhibition in Hong Kong

London: 10 Chancery Lane Gallery in Hong Kong is currently exhibiting Atul Dodiya‘s first solo show in Hong Kong.

The exhibition brings together a selection of works which combine tradition with modern references. On display is a series of works created on shutter doors paying homage to famous international artists such as Roy Lichtenstein.

“The shutter doors bring the commonly seen Bombay shop fronts into the contemporary art genre. Dodiya uses the duplicity of imagery to play with wild contrasts of scenery. This series combines the metal fronts of the pop art work of Lichtenstein with the deeply expressionistic long and stringy figures of his paintings. A man whose bones can be seen through his skin reads a book, a skull lays by his side. When the door is closed, piercing cartoon like eyes peer with the phrase, “What? Why did you ask that? What do you know about my image duplicator?” Highly original, his works physically add layers of meaning to his works. They can be read half-closed or open as well as fully seeing one image or the other.”

This series was inspired by the sight of small business in Mumbai locked down because of the fear of violence and religious persecution following the bombings in 1993.

Also in the exhibition is a series of black and white drawings representing figures almost floating in a phantasmal and fuzzy reality which subtly engage the audience in a curious dialogue.

Dodiya said about his works: “What is better? The fish inside the water, or the fish outside the water? The mirror reflects reality. Is that reflection real? Is the image which an artist depicts on canvas more real than the image which the viewer sees in reality?

Probably, these are some of the philosophical questions, which arose in the process while looking at Lichtenstein’s ‘Mirror’. Inside-outside, above-below, real-unreal, hidden-revealed, single-double, are these opposites? This is the dilemma with which artists begin and arrive at the discovery of the relativity of the real.

The fine line between art and life gets blurred, to the point where art is overpowering the reality of life. It becomes a game of stepping in and stepping out of the creative space.”

The exhibition is on until January 30, for more information click here.

 

Bharti Kher’s New Monumental Exhibition

Elisabetta Marabotto of Saffronart invites you to visit Misdemeanours, Bharti Kher’s largest solo exhibition in Asia

London: Misdemeanours is coming soon at the Rockbound Art Museum in Shanghai. Starting on January 11 the exhibition boasts to be the largest solo exhibition in Asia of the celebrated Indian artist Bharti Kher.

Self Portrait, Bharti Kher

Self Portrait, Bharti Kher. Image Credit: http://www.rockbundartmuseum.org/en/exhibition/overview/457gqs

The show, which occupies all six floors of the museum, features a selection of works created in the last 15 years by the artist as well as some site specific installations.

Kher uses different forms of art to express herself such as painting, photography and sculpture yet most of her works have in common monumental dimensions. The artist in this exhibition discusses the relationship between human beings and animals, hybridity, ethics, gender, politics, globalization and cosmopolitanism. The poetics of the body reveals Kher’s interests in entropy, mutation, and transformation, as witnessed by humans and animals alike.

The Skin Speaks a Language not its Own, Bharti Kher

The Skin Speaks a Language not its Own, Bharti Kher. Image Credit: http://www.rockbundartmuseum.org/en/exhibition/overview/457gqs

“The exhibition also includes two site-specific installations that serve as conceptual and physical “skins” that encase the museum’s monumental façade and conjoin two exhibition spaces on consecutive floors. These architectural interventions serve as mirrors to Kher’s own use of the bindi to serve as a carrier of the other, and an object that revels in both in its ability to decorate and enliven attention, as well as to subsume and obscure the gaze. ”

Kher has stated, “If I could remake my artistic career, I think I would be a minimalist painter. All the art that I love comes from the tradition of reduction—but I can’t because I’m super maximum!”

Misdemeanours, Bharti Kher

Misdemeanours, Bharti Kher. Image Credit: http://www.rockbundartmuseum.org/en/exhibition/overview/457gqs

Misdemeanours has been curated by Sandhini Poddar, Mumbai-based art historian and adjunct curator at the Solomon R. Guggenheim Museum, New York and the works on display include loans from leading private and public institutions as well as new commissions.

The exhibition will be on until March 20 and it will be accompanied by events and a catalogue. For more information click here.

 

 

Balancing Act by LN Tallur

Elisabetta Marabotto of Saffronart shares a note on LN Tallur current exhibition at the SCAD Museum of Art, Georgia

London: The SCAD Museum of Art is currently hosting the first solo US museum exhibition of the Indian artist LN Tallur.

Tallur’s art is an amalgamation of influences from rural India, where he grew up, to foreign lands, which he recently visited. This is reflected in his unique style and artistic vocabulary.

The New York Times described the artist’s work “each of his pieces is like a miniature curiosity cabinet, hand-assembled down to the smallest detail and packed with charmed and puzzling surprises.”

LN Tallur, Balancing Act, 2013

LN Tallur, Balancing Act, 2013. Image Credit: http://www.tallur.com/

“Balancing Act” is a comprehensive exhibition of past and recent sculptures, installations and interactive works by the artist. These were created using different media such as bronze, terracotta, wood, bronze, silver and concrete.

The leading theme of the exhibition are the dichotomies between the tangible and ethereal, the abstract and the figurative and the conceptual and the decorative.

The exhibition is on until March 23 and you can find more information here.

Vibha Galhotra|Alter

Elisabetta Marabotto of Saffronart shares a note on the current exhibition of Vibha Galhotra at MK Search Art in Italy

Vibha Galhotra, Alter @ Mk Search Art, San Giovanni Valdarno

Vibha Galhotra, Alter @ Mk Search Art, San Giovanni Valdarno. Image Credit: MK Search Art

London: On December 14 “Alter”, Vibha Galhotra‘s first solo exhibition in Itlay,  was inaugurated at MK Search Art in San Giovanni Valdarno. MK Search Art has the aim to promote debates and a deeper understanding of contemporary Indian art not only within India and in relationship to Italy but also in close dialogue with the international community.

For this exhibition Vibha Galhotra, 2012 MK Search artist in residence, focused on the theme of alterations which constantly influence the notions of time, space, relations and emotions.

Galhotra’s artistic practice is deeply linked to nature and through imageries borrowed from it she discusses issues such as trans-culture, local vs global, nostalgia, existence and identity. The artist also analyzes the cultural condition in which we negotiate our position of human beings living in urban and natural environment that are constantly changing.

On display feature works of different medium and referring to different cultures, and negotiations between spiritual, scientific and spiritual world.

This slideshow requires JavaScript.

The exhibition is on until January 18. For more information click here.