Thukral & Tagra: Q

Elisabetta Marabotto of Saffronart shares a note on T & T current exhibition: Q

Thukral & Tagra, Dominus Aeris Escape 5, 2013

Thukral & Tagra, Dominus Aeris Escape 5, 2013. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

London: Nature Morte is currently hosting at the Famous Studio in Mumbai “Q”, the second solo exhibition in Mumbai of artist duo Thukral & Tagra.

The exhibition revolves around a dear theme to T & T: the Indian diaspora  and the feelings of anxiety, insecurity and hope which are connected to that. In the specific “Q is the story of one of the many abandoned brides that haunt the state of Punjab, almost a contemporary fairytale fraught with loneliness, desperation and confusion, yet infused with hopeful dreams that are difficult to let go of.”

Thukral & Tagra, Dominus Aeris Facies 7, 2012

Thukral & Tagra, Dominus Aeris Facies 7, 2012. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

T & T’s art is colourful and provocative, which discusses harsh realities through bright colours and cartoon-like imageries.

“Most of our works address the issues, cultural shifts, problems and beliefs of people living in India today. We grew up with the general acknowledgement that most Indians dream of leaving India and moving abroad,” Thukral says, adding that the dream is “laced with anxiety and insecurity.”

Thukral & Tagra, Pinball 1 (Windows of Opportunity), 2012

Thukral & Tagra, Pinball 1 (Windows of Opportunity), 2012 . Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

The exhibition features paintings of different sizes as well as videos and installations. T & T recently also expanded their creativity with a collaboration with the Italian fashion brand Etro for which they designed a bag collection.

Thukral & Tagra, Pinball 11 (Windows of Opportunity), 2012

Thukral & Tagra, Pinball 11 (Windows of Opportunity), 2012. Image Credit: http://www.naturemorte.com/exhibitions/2013-11-27_thukral-and-tagra-q/selected-works/#

Q is on until December 17 at the Famous Studio, Mahalaxmi, Mumbai and you can read more information here.

 

 

Absolut Kapoor

Aaina Bhargava of Saffronart on Absolut’s latest collaboration with Anish Kapoor and his reinvention of the BOTTLE.                              

 London: Artists and Vodka? Certainly not a surprising association, but one that has constantly been given new meaning for the past 27 years by Sweedish vodka company Absolut.  In 1986 Andy Warhol started a long association between Absolut and the arts community by painting their vodka bottle, more recently, this year they have announced Anish Kapoor as the artist who will continue this tradition by creating a unique installation, his interpretation of the absolut bottle.  The work is to be made using Kapoor’s trademark engagement of the viewer with space.  The creation of the bottle will be made with ‘negative’ space employing a sculpting technique that has commonly been featured in many of Kapoor’s previous works, as well as his use of metals and the colour red.  The artist elaborates on this opportunity by stating,

           “Absolut has a long history with artists, from Warhol to many of my great colleagues. The idea of somehow encapsulating whatever it is that one does in a single moment….and kind of making it an Absolut Kapoor. It is a strange notion, but one that I felt I could at least go in pursuit of” –Anish Kapoor.”

Kapoor’s bottle will be one of the latest in the collection including the work of countless established contemporary artists such as Rosemarie Trockel and Louise Bourgeiouse who have contrinbuted through their interpretations of the bottle and it’s meaning [See images below].

Louise Bourgeouis, Andy Warhol, Rosemarie Trockel for Absolut

Louise Bourgeouis, Andy Warhol, Rosemarie Trockel for Absolut. Image Credit: http://images.idiva.com/media/content/2011/Feb/absolut_art_collection_more.jpg

Closer to home, Indian designer Manish Arora designed a bottle in 2009, and soon after Subodh Gupta (in 2011), Bharti Kher (in 2012), and most recently early this year, author Vikram Seth have all participated in this artistic alliance [see images below].

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 Collaboration between brands and the arts community is a common enough occurrence.  For istance you have internationally renowned artists such as Takashi Murakami and Yayoi Kusama who have both worked with large brands like Louis Vuitton, and more recently you have up coming artists like Thukral and Tagra who designed handbags for the Italian brand Etro.  With Absolut you can physically trace this history, starting with Warhol in 1986.  Warhol’s legacy is characterized by the genre of Pop Art, through deconstructing this term, it is evident that he essentially fused the worlds of popular culture and art together, making it more accessible or appealing to a wider audience.  Often these partnerships are accussed of having commercial overtones, or being marketing gimmicks for both the brands and the arists involved, but ultimately what they achieve is greater recognition for the artist and their works, thus providing audiences with an opportunity to discover what contemporary art is, therefore reaching a wider audience.  This focus on the audience and their experience with the work is what makes Anish Kapoor so apt and simultaneously unique as a choice to interpret the Absolut bottle. His works are conceived on the premise of viewers engagement with the space and the artwork – which is this case is the bottle – an object they have probably come across at least a couple of times.  The experience of viewing the installation encapsulates not only a very academic notion the engagement of audiences and space, but the mesh of popular culture and art as well which is extremely reflective of and imperative to the contemporary art scene.  Anish Kapoor himself reflects on this aspect of how an artwork functions (in relation to the audience) and what it can accomplish,        

 

Art is really all about transformation; it’s about taking a piece of metal, a lump of clay, a bit of cement, or whatever else and turning it into something that it isn’t. That fundamental transformation is truly mysterious; it is something that is in a way is wondrous. That moment of wonder is something that is deeply attractive and we are instinctively drawn to it, it is as if the work is saying come here, come and be part of this wonder, this thing that is happening. And I feel that intimacy with the viewer is something special, something we have to hold on to.” – Anish Kapoor.

The transformation of the bottle is what we are looking forward to, and have great expectations for. 

 For more information click here.

‘Shine’ – 200 Years of Human Ingenuity

Ipshita Sen of Saffronart explores an exhibit at the Textile Museum of Canada

New York: The Textile Museum of Canada presents its exhibit “Shine” this summer.  Curated by Natalia Nekrassova and Sarah Quinton, this exhibition promises to be a visual delight. It takes its audiences on a cultural journey through the lenses of the varied and highly representative textile industries across Asia.

“For centuries, the light and luster of materials have captivated cultures and societies, artisans and artists, attributing to even simple objects an allure of beauty, luxury and opulence. Throughout the world, reflective metals, mirrors, silver- and gold-wrapped thread, sequins, beads and even insect wings have been skillfully transformed to create some of the most mystifying and coveted cultural and personal expressions.”

The exhibition thus represents human ingenuity over a period of 200 years. Primarily consisting of handmade objects that are celebratory and commonplace, it features an expansive array of textile artists from India, Pakistan, Afghanistan, Syria, South East Asia, China and Japan, reflecting on their respective cultures and contrasting perspectives on the ideologies of style and status.

Objects on display are an elaborate mix of pieces from the museum’s permanent collection, and the works of contemporary artists such as Carmelo Arnoldin, Ghost of a Dream, Rhonda Weppler and Trevor Mahovsky. Viewing works from the past and present in the same space, creates an interesting dialogue between the works, not only cross culturally, but also traditionally. It is thus an interesting juxtaposition, where one can clearly understand the conflicting and complex ideologies of desire, wealth, status and beauty among different kinds of people.

A few highlights of the collection include:

Banjara Tribe blouse

Banjara Tribe blouse

A blouse, tracing back to mid 20th century Karnataka, in South India. The garment is said to have belonged to the Banjara people/tribe, earlier known to be baggage carriers of the Mughal armies in the 17th century. They now live simple lives in rural India. The blouse displays the fantastic workmanship and the rich traditions of the Banajra people in India.

Chola Sindh wedding blouse

Chola Sindh wedding blouse

Another garment on display is this beautiful and intricately designed wedding blouse, dating back to mid 20th century Sindh in Pakistan. The local name given to this piece of garment is “chola”. It is reflective of the rich textile skills and culture of the Lohana community in Sindh. Chola’s are the most spectacular with rich embroidery and ornamental finish. It is to be worn by a bride in addition to trousers and a long veil.

Below we see an intricately designed silk robe, tracing its roots to 19th century China, locally called ‘Jifu’.

Chinese silk robe

Chinese silk robe

The exhibition is accompanied with various informational seminars, lecture sessions and guided tours. In an effort to keep audiences engaged and to provide an opportunity to participate in interesting conversations with the curator and specialists involved.

The Textile Museum of Canada, based in Toronto, is one of the most engaging visual art organizations of its kind. With a private collection of more than 12.000 objects across over 200 countries, it curates captivating exhibitions that are culturally diverse and unique.

Henning Koppel at Saffronart

Tarika Agarwal examines the Henning Koppel coffee set available as part of Saffronart’s upcoming Travel & Leisure Auction

A Magnificent Silver Coffee Set No. 1017 by Henning Koppel, Georg Jensen

A Magnificent Silver Coffee Set No. 1017 by Henning Koppel, Georg Jensen. Image Credit: http://www.saffronart.com/customauctions/PreWork.aspx?l=8661

Mumbai: Henning Koppel is largely responsible for what we have come to think of as “Danish design”.

Koppel was an early pioneer of functionalism in design: his mission was to make everyday life products beautiful as well as practical. He was trained as a sculptor and began collaborating with Georg Jensen in 1946.

When Henning Koppel died in 1981, aged 63, he had created an astonishing range of work: from stainless steel cutlery such as the “New York” line, which found its way into the homes of millions, to magnificent one-off signature pieces such as the silver and crystal chandelier he designed to celebrate the 75-year anniversary of Georg Jensen in 1979.

At Saffronart we have the great fortune to auction a highly sought after sterling silver coffee set, design no. 1017, by Henning Koppel (Lot 110).

The handles on the coffee pot is crafted from guaiacum, a South American hardwood. The coffee pot measures 6″ (15cm) in height, the creamer 3″ (1.5cm) and the sugar bowl 1 3/4″ (4.5cm).

Along with this set, other beautiful Georg Jensen flatware will be available as part of the auction, scheduled to take place on the Saffronart website on 29-30 July, 2013.

George Jensen at Saffronart

Tarika Agarwal talks about the rare Georg Jensen Scroll Pattern flatware, part of Saffronart’s upcoming Travel & Leisure Auction

Georg Jenson, Flatware Set

Georg Jenson, ‘Scroll’ Pattern Flatware

Mumbai: Georg Jensen, an artistically gifted Danish boy from a working-class family who aspired to become a sculptor, grew up to be a silver smith and founded a fim that designed jewelry, flatware and hollowware that earned him international acclaim and significantly influenced the direction of decorative arts.

The ‘Scroll’ or ‘Saga’ pattern is one of the most rare and significant patterns in the Georg Jensen flatware line. It was designed in 1927 by Johan Rohde for the firm in Denmark. This pattern is very substantial and requires a lot of hand crafting. There is a high relief scroll pattern at the center of each piece’s handle, as well as an all-over hand hammered finish.

The set being offered at Saffronart’s Travel & Leisure auction is in excellent condition. It includes dinner knives, butter knives, dinner forks, teaspoons, tablespoons and dessert/salad forks.

Along with this set, other beautiful Georg Jensen flatware and hollowware will be available as part of the auction, scheduled to take place on the Saffronart website on 29-30 July, 2013.