Elisabetta Marabotto of Saffronart following the recent exhibition at Gallery Espace in New Delhi, examines the intricate art of Chitra Ganesh
London: Colourful yet dark are perhaps some of the adjectives which best describe Chitra Ganesh’s art which is characterized by dichotomies. As such, her comic-like characters, often embedded with dark and disruptive connotations, are the main subjects of her works. In few words we are always quite unsettled and surprised in front of a Chitra Ganesh’s work. In a good way.
Chitra Ganesh, Matahari, 2011. Image Credit: http://www.chitraganesh.com/pt19.html
In a recent interview with Neelam Raaj of the Times of India, Ganesh discusses and explains her art.
Born in New York from Indian parents, Ganesh through her multi-media works, plays with her “dual-identity” to express her self, and to better understand and communicate to her audience. However, despite her upbringing she is still considered “exotic” in America while the Indian audience finds her themes and characters quite familiar and easily recognisable.
Chitra Ganesh, The Exquisite Cruelty of Time, 2010. Image Credit: http://www.chitraganesh.com/dc9.html
Her vivid artist vocabulary draws on Indian and American comics, Indian myths, religious iconography and much more, however a special attention is given to the “Amar Chitra Katha” comic book. After reading it again as a grown up woman, Ganesh paid attention to so many details she didn’t notice when she was younger. For example the female characters were depicted as pious figures yet scantily clad, and the rakshasis were depicted dark and the devis fair. So the artist realised that children books have more power than we think and through fairy tales they let us unconsciously accept stereotypes and set ideas. However not all of them are “bad”, in fact some children stories hold subversive meanings.
Chitra Ganesh, Atlas, 2013. Image Credit: http://galleryespace.com/newsite/new_work_instack_current.php?artwork=003542&collection=129
Ganesh hence decided to give power and prime role to those heroines who have been waiting all of this time at the side of powerful men. So, at least in her work she changed the history and went against the general expectations and replaced the Greek god Atlas and Hanuman with female characters!
Chitra Ganesh, Fingerprints, 2007. Image Credit: http://www.chitraganesh.com/dc5.html
The artist also came to terms that now is the right time to make rebellion a long-term project and not a small act. She said “I now want to change things in a long-term way.”
Finally Ganesh noted that her intention is not to shock the audience but to openly include every aspect of our life in her narrative.
Chitra Ganesh, Madhubala, 2007. Image Credit: http://www.chitraganesh.com/pt10.html
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