Elisabetta Marabotto of Saffronart invites you to visit “Cannibal Lullaby” @ Galerie Nathalie Obadia before it is too late!
London: Cannibal Lullaby at Galerie Nathalie Obadia in Brussels is soon coming to an end. The exhibition, part of Europalia.India, is Mithu Sen‘s first solo exhibition in Belgium.
Amulets and objects of superstition inhabit Sen’s works linked together by hordes of haemoglobin intertwined with leaves. Death and sensuality are two of the leading themes in the artist’s work. In the artist’s world skulls kiss and skeletons unites through a joyous macabre dance!
However, despite some recurring dark themes, Sen’s work conveys a joyful atmosphere, like a burlesque carnival, where even skeletons are able to love.
Below you can enjoy few images from the show which is closing on Friday.
Sneha Sikand of Saffronart on Mithu Sen’s latest project in Poland
Mithu Sen, I chew, I bite Installation 2011 Image credit: www.mediations.pl
Poznań: The third edition of the Mediations Biennale, titled THE UNKNOWN – NIEPOJMOWALNE is currently underway in Poznań, Poland. Starting out as an art festival in 1999, the biennale has evolved from being just an art event to a full blown organisational enterprise.
The format of the event moves away from merely presenting the works of art. It is divided into two stages. In the preparatory stage, research is carried out on the theme chosen. In the thinking stage, the collective works of the artists, researchers, and curators along with discussions taking place during the event are compiled to formulate new ideas and perspectives corresponding with the chosen theme.
Curated by Fumio Nanjo, director of the Mori Art Museum, Mithu Sen translates the theme of the biennale in her work by reflecting on dental prosthesis. The act of biting, and of chattering teeth shows how our bodies react to pain, fear and horror. Just like the theme suggests, the unknown is as exciting and intense as something which we already comprehend. Sen suggests that our teeth and mouth act as agents of exploration into the unknown – “It is like a gateway to the inner self”. In a recent interview, Mithu Sen elaborates on her artistic representations of body parts to metaphorically convey basic human emotion.
Talking about the event, Tomasz Wendland, director of the 2012 Mediations Biennale says that reality today is all about closing the gaps. “It does not matter that we do not understand what we see, since it is the context that matters”. He feels that individuals are curious about that which is inaccessible and in effect ‘unknown’.
The biennale is scheduled to run till October 14, 2012.
Amit Kumar Jain reflects on The Artist as Activist, a joint exhibition by Bangladeshi artists Tayeba Begum Lipi and Mahbubur Rahman
The Eli and Edythe Broad Art Museum opened a landmark exhibition on two leading Bangladeshi artists, Mahbubur Rahman and Tayeba Begum Lipi, earlier this month. Considered as the forerunners of contemporary art practice in Bangladesh, Rahman and Lipi are also well-known for having co-founded, and currently running, the Britto Arts Trust, a non-profit organisation supporting young artists, since 2002. Their first major museum exhibition, The Artist as Activist brings together an extensive body of the duo’s collective work under one roof, which has “emerged from their shared journey as a husband and wife, and reflect their continual interchange of ideas and pursuit of like-minded themes,” according to curator Caitlin Doherty.
The Eli and Edythe Broad Museum, Michigan, USA. Image courtesy: Amit Kumar Jain
Doherty transforms the museum space effectively, by dedicating a gallery to each artist and showcasing works from various periods of their career. Lipi’s section is designed as a quiet, intimate and personal space, making the viewer look inwards to the role of the women in the Bangladeshi society. Her works look at the domestic, and how the woman negotiates the constant tussle of her personal ambitions and societal demands. As one moves through the gallery, one moves through her body, culminating in a womb-like, protective environment, where she secludes her innermost desires and emotions from the taxing outer world. This is the space where My Daughter’s Cot, an empty cradle made of stainless steel razors, signifies the vast contradiction between the personal and the societal, and gives a sense of longing in what is supposed to be a beautiful, but threatening symbol of motherhood.
My Daughter’s Cot, Tayeba Begum Lipi, 2012. Image courtesy: Amit Kumar Jain
Contrary to Lipi’s gallery, Rahman’s artworks speak for the abject, dissatisfied man, beginning with a self-portrait series of charcoal drawings that depict the artist screaming in frustration, in response to his own helplessness and inability to fight the political and social failure of his country. He approaches activism through social commentary, highlighting the plight of the indigo farmer through an ongoing performance piece titled Transformations. In Sounds from Nowhere-8, Rahman symbolically captures the pain and the loss that followed the collapse of the eight-storied Rana Plaza building in Dhaka, which caused death and injury to thousands of garment factory workers. He navigates his own identity in the contemporary political history of Bangladesh, a nation still recovering from two wars. Rahman’s gallery becomes more vocal and versatile as he adapts to multiple mediums in highlighting the struggles he shares with his fellow citizens in a postcolonial, developing country.
Charcoal drawings by Mahbubur Rahman. Image courtesy: Amit Kumar Jain
The last gallery brings together the works of Lipi and Mahbub under a common endeavour. Through their non-profit organisation, they initiated a project to work with the transgender community in Dhaka. Reversal Reality, a solo project by Lipi, compares the living realities of the artist and co-collaborator Anonnya, a transgender woman, while focussing on the struggles of the latter. While Lipi’s project takes on the individual, Rahman’s video project Time in a Limbo looks at the transgender community through their rituals, dialogues and practices. The museum has proposed to use this gallery with the LGBT community of East Lansing, and hopes to bring Anonnya to the United States to share her experience.
The Artist as Activist is the first major exhibition from South Asia at the Broad Art Museum, and will continue till 7 August 2016. Previously, the museum had showcased a project by Mithu Sen and an exhibition of works by Imran Qureshi and Naiza Khan.
—Amit Kumar Jain, Curatorial Consultant for The Artist as Activist
Exhibition details: The Artist as Activist Featuring: Tayeba Begum Lipi and Mahbubur Rahman
5 March – 7 August 2016
Eli and Edythe Broad Art Museum
Michigan State University
547 East Circle Drive
East Lansing, MI 48824
The Saffronart team has been scuttling around to put together a handy list of exhibitions to check out this month. Some end soon, and with some others you can take your time, though we wouldn’t really recommend waiting too long. So if you’re in Mumbai, Delhi, England or the U.S. of A. this month, you know where to go.
From the Exhibition The Florentine Renaissance: “The City as a Crucible of Culture” Ghiberti, Lorenzo (1378-1455). Gates of Paradise. Credits: Dr. Bhau Daji Lad Museum website
The Florentine Renaissance: “The City as a Crucible of Culture” Where: Dr. Bhau Daji Lad Museum City Museum, Byculla On View Till: July 8, 2014
You don’t need to travel all the way to Florence to get a glimpse of Italian Renaissance…not this week anyway. The Bhau Daji Lad Museum has extended this exhibition which features prolific early renaissance artist Lorenzo Ghiberti’s masterpiece, ‘The Gates of Paradise’: a work also revered by other artists such as Michaelangelo himself. The interior and permanent collection at the museum will be an added bonus to your visit.
Mansoor Ali: “Anatomy of an Unknown Chair” Where: Gallery Maskara, Colaba On View Till: July 31, 2014
Ever thought about chairs beyond their functional and aesthetic qualities? Mansoor Ali’s ongoing show at the Gallery Maskara is sure to provoke you to think about much more through his installations that employ chairs as a primary medium. His five installations address several issues pertaining to politics and power play, reminding us of the effectiveness of found objects in art.
If the idea of visiting this exhibition hasn’t incentivized you enough already to make your way to Colaba, you should know that the nearby Mumbai Art Room, Sakshi Gallery and Galerie Mirchandani + Steinruecke have ongoing exhibitions too. You could combine visiting the three galleries to make for an enjoyable, art-filled afternoon.
Amshu Chukki, Kaushik Saha, Anil Thambai, Pradeep P.P., Yasmin Jahan Nupur and Sangita Maity: “Art for Young Collectors” Where: Galerie Mirchandani + Steinruecke, Colaba
On View Till: July 31, 2014
As per tradition, Galerie Mirchandani + Steinruecke is currently hosting its ongoing exhibition, ‘Art for Young Collectors’. While each artist has a unique approach and style, all the works are connected by a similar theme: “the common trail of seepage–the flowing of one system, one suite of meanings, one realm of belief into another, creating an uneasy ecology and forever changing both in the process.”
Anirban Mitra, Arunkumar H.G., Jagannath Panda, Jitish Kallat, Manjunath Kamat, Ravinder Reddy, Shilpa Gupta, Surendran Nair, Vivek Vilasini: Group Show
Where: Sakshi Art Gallery, Colaba On View Till: July 31, 2014
Don’t miss Sakshi while on your mini art excursion. This exhibition features a mix of paintings, photographs and sculptures by important contemporary artists whose works you should be acquainted with.
Anna Ostoya, Agnieszka Polska, Karol Radziszewski, Janek Simon, Rafał Wilk: “We Rather Look Back to Futures Past”
Where: Mumbai Art Room, Colaba On View Till: August 7, 2014
This is a unique exhibition that is presented in collaboration with the Polish Institute. The exhibits include photomontages, films and sculptures by five contemporary artists who share a common Polish background. While the artists explore the common theme of looking back and questioning the past, they each employ a unique individualistic approach. Not only does this exhibition give you the chance to learn more about Polish contemporary art, but it should also compel you to think about your own associations with the past.
From the Exhibition “Invisible Cities” Gauri Gill, “Hall of Technology – Diptych 1”, Archival Pigment Print, 9″ X 12″, 2010 Credits: Vadehra Art Gallery
Group Show: “Invisible Cities” Where: Vadehra Gallery, D-53 Defense Colony On View Till: July 12, 2014
If Italo Calvino popped into your mind on reading this, you’re quite close to guessing the theme of this exhibit. “They are stories of spaces that are invisible or underground, mute spaces hidden under the bustling cover of the city. They are stories of people and their relationships, of which the artist is part of”, reads the Vadehra Art Gallery press release. Featuring well-known artists and photographers such as Atul Bhalla, Gauri Gill, Sunil Gupta, Malini Kochupillai and Asim Waqif, this group show highlights aspects of cities that may otherwise remain unnoticed. Perhaps your otherwise hectic urban life doesn’t give you the opportunity to actively observe the little details that are easily missed. Don’t miss this chance to see the work of these acclaimed artists, under a single roof.
Pradeep Puthoor: “New Paintings”
Where: Nature Morte, Central South Delhi When: July 5– August 2, 2014
Pradeep Puthoor, an artist from Kerala who has shown his works in a number of galleries across India and abroad, is featuring his new mural-size paintings in this exhibition. These paintings depict the meeting point between computer science and biological engineering, and create a space for viewers to “swim in and get lost, to drown in their luscious complexities.” The unique theme and large paintings are sure to entice a wide audience, making Nature Morte an ideal gallery to visit this July.
Raj Rewal: “Memory, Metaphor and Meaning in his Constructed Landscape” Where: National Gallery of Modern Art, New Delhi On View Till: July 20, 2014
Did you think you missed this show? You’d be happy to know that the NGMA has extended this exhibition, giving you the opportunity to visit it this July. This retrospective features five decades of work by renowned architect Raj Rewal. The works on display will make you see architecture as a field of visual art, as structures may otherwise be judged mostly on their functionality. Of course, Rewal’s own achievements, such as his work being featured at the Centre Pompidou in Paris, make visiting this exhibition even more compelling.
“Smart Art Cart” Where: Gallery Espace, Delhi On View Till: July 31, 2014
On view and on sale at Gallery Espace are a collection of works by Amit Ambalal, Rajendar Tiku, M.F. Husain, Manjunath Kamath, Owais Husain, Suddhosattwa Basu, Mala Marwah, Mekhala Bahl, Chintan Upadhyay, S.H. Raza, and Jai Zharotia, among others.
From the Grosvenor Gallery Exhibition of Senaka Senanayake’s works Butterflies, 2014, Oil on canvas, 122 x 182.9cm. (48 x 72in.) Source: Grosvenor Gallery Website
Senaka Senanayake Where: Grosvenor Gallery On View Till: July 11, 2014
If you’re ever at Green Park this week or the next, pop by Grosvenor Gallery to take in a tropical medley of colours, all harmoniously arranged by one of Sri Lanka’s most important artists, Senaka Senanayake. The prodigal artist has been exhibiting internationally since his teenage years. His recent work is inspired by the plight of the Sri Lankan rainforests, many of which have been subject to intense deforestation to make way for tea plantations.
Nasreen Mohamedi Where: Tate Liverpool On View Till: October 5, 2014
Nasreen Mohamedi is one of the most significant women artists of Modern Indian art, and a critically acclaimed one at that. Tate Liverpool is hosting Mohamedi’s largest solo exhibition in the UK. The show includes more than 50 of her works spanning paintings, drawings and photographs, especially highlighting the most significant artistic phases in her career, and runs in parallel with “Mondrian and his Studios”, exploring how she moved from the figurative to the abstract like Mondrian. Tickets for the latter include admission into the Nasreen Mohamedi exhibition.
Empire, Faith and War: The Sikhs and World War One Where: The Brunei Gallery, SOAS On View Till: September 28, 2014
The UK Punjab Heritage Association has organised an exhibition to remember the invaluable contribution and experiences of Sikh soldiers during the Great War. The exhibition features rare and unique finds such as unpublished photographs and drawings, newspapers and comics, postcards, works of art, uniforms, gallantry medals, and folk songs sung by wives left at home, as well as a unique album of X-Rays of wounded Indian soldiers’ injuries lent by Her Majesty The Queen from the Royal Collection.
London Indian Film Festival Where: BFI Southbank, ICA, BAFTA and Cineworld cinemas across London On View From: July 10-17, 2014
The London Indian Film Festival is back in town for its 5th edition. Following last year’s success, some of the best Indian independent films will be showing in several venues across London accompanied by talks with cinema personalities such as Santosh Sivan and Farhan Akhtar and a Q&A with film directors. For the full programme, check the London Indian Film Festival website.
From the Exhibition Gateway to Himalayan Art & The Tibetan Buddhist Shrine Room Photo by David De Armas Source: Rubin Museum Website
The Rubin Museum of Art has its eyes on the Indian subcontinent. Head there this month and combine your visits into one eventful day.
From India East: Sculpture of Devotion from the Brooklyn Museum Where: Rubin Museum of Art, New York On View Till: July 28, 2014
Given the temporary closure of the Asian art galleries at the Brooklyn Museum, this exhibition allows visitor to partake from this significant museum collection. Curated by the Rubin Museum, the objects trace the development of Hindu and Buddhist sculptures to its root in ancient Indic art. On view are selections of works from various regions including Burma, Cambodia, Indonesia, Thailand, Korea, and Japan, which together map the wide-spread evolution of Asian art in the regions.
Bodies in Balance: The Art of Tibetan Medicine Where: Rubin Museum of Art, New York On View Till: September 8, 2014
This is one of the first major exhibitions which chronicle the origin, history and practice of the Tibetan science of healing. It brings to the viewers a visual narrative on the subject by presenting 140 objects dating from the 9th century to the present which includes manuscripts and paintings on medical practices and medical instruments. The exhibition highlights the relationship shared between Tibetan medicine and Buddhism and how it has shaped the visual arts in the Himalayan region. In addition to the historic objects is a multi-media installation which explains how Tibetan medicine is used today and allows visitor to find out personalized health information through questionnaires, making the visit informative and interactive. There’s also a quiz online.
Curated by Karl Debreczeny and Elena Pakhoutova, this exhibition gives its audience an introduction to the principal concepts of Himalayan art and its cultural contexts. Visitors are welcomed by a large multimedia map of the Himalayan region which highlights the diversity in the region. This exhibition is divided into four sections: Figures and Symbols, Materials and Techniques, Purpose and Function, and Tibetan Art in Context. The centerpiece of this exhibit is the Tibetan Buddhist Shrine Room- a recreated model for everyone to experience. This well-documented exhibition has many learning tools making it an interesting visit for a diverse audience.
Mithu Sen: Border Unseen Where: Broad Art Museum, Michigan State University, On View Till: August 31, 2014
Mithu Sen’s first solo museum exhibition in the US is a massive installation in dental polymer, tracing a pink toothy line across a long prism-shaped room. This is the first of Mithu’s teeth works installed on suspended armature. The 80 feet long hanging sculpture inhabits the gallery space, its sheer scale and texture eliciting strong reactions from viewers. This monumental yet minimalist work reaffirms the artist’s exploration of the connotations of bodily materials like hair, teeth and bone in her works.
Beyond Bollywood: Indian Americans Shape the Nation Where: National Museum of Natural History, Smithsonian Asian Pacific American Center, Washington D.C. On View Till: August 16, 2015
This iconic exhibition chronicles more than 200 years of Indian American contributions to the U.S. The 5,000-square-foot exhibition features Indian Americans’ migration experiences, working lives, political struggles and cultural and religious contributions. Highlighted artifacts include a dress worn by First Lady Michelle Obama designed by Indian American Naeem Khan; the 1985 National Spelling Bee trophy awarded to the first Indian American winner, Balu Natarajan; and Mohini Bhardwaj’s 2004 Olympic Silver Medal for gymnastics. Public programs include performances featuring Indian American art, comedy, cuisine, dance, film, television, literature and music. The exhibition will be travelling around the US for four years beginning May 2015.
There’s plenty more out there, so don’t forget to drop by our events listing page, updated each month.
Aaina Bhargava of Saffronart on artist – curator Bose Krishnamachari’s selection as the curator for the Indian Pavilion at Art Stage Singapore 2014, and it’s new feature Platform
Art Stage Singapore 2013. Image Credit: http://www.artstagesingapore.com/wp-content/gallery/2013/art-stage-2013_bird-view_4197.jpg
London: Singapore’s annual art fair – Art Stage Singapore – is introducing a new feature to its latest edition in 2014, regional platforms for seven participating Asian nations/regions including southeast Asia, China, Taiwan, Japan, Korea, Australia, and India. Each platform essentially functions as an exhibition showcasing works by artists from each particular region. Curators have also been regionally selected to create these platforms, with India’s, being curated by the Kochi-Muziris Biennial cofounder and co-curator Bose Krishnamachari. In a brief, recent, interview he explains his initial approach to the project:
“I will be looking at the works of Indian artists and have to pick six to eight of them through their galleries.”
While his previous large-scale exhibition curatorial project was the Kochi Muziris Biennial, a much more academic and locally contextualized endeavor, the Indian Platform for Art Stage is a “curated sales exhibition,” that aims to exhibit works in a contemporary Asian framework. This provides an intriguing contrast in terms of audiences who he will be curating for and artists that he will select to represent the Indian contemporary art scene and will contribute to defining the contemporary Asian art scene, the premise upon which Art Stage Singapore seeks to operate. Heralding the motto, “We are Asia,” this event brings together 131 galleries, 75% of which are from Asia Pacific. Through juxtaposing works by known and emerging artists from various different Asian regions, Platform commits to Art Stage’s attempts to make Singapore a solid and driving force in the Asian art market. Expanding on the importance of representing a diverse Asia, Lorenzo Rudolf (Founder and fair director) states,
“When we speak about Asia, we cannot speak about an undifferentiated, single Asian contemporary art scene as the region is highly segmented. From a western perspective, there is sometimes limited understanding of the market differentiations within Asia and little depth of knowledge about the individual art markets…This new addition [Platform] will give visitors not only a holistic overview of artistic developments, but also a deeper understanding of contemporary art from Asia Pacific.”
To allow viewers the opportunity to witness this comparative juxtaposition of artworks from different regions, Platform will be exhibited in a non-segregated, museum like format over approximately 20% (or 1800 sq. meters) of the fair exhibition space. The Southeast Asia Platform is to be the largest of the Platforms. These works are to include “site-specific works, interactive installations and innovative conceptually driven works, meant to discuss important topics that address the contemporary society.” This description holds similar to that of works made for or presented at biennials, particularly site specific works and cutting edge, innovative conceptual works. Presenting these types of works at an art fair and having this particular exhibition curated by renowned curators such as Krishnamachari who are known for their work at biennials and other non commercial exhibitions, reflects a desire to bring a critical credibility to the fair as well an educational component.
The paradigms that both art fairs and biennials (and other art events) follow seem to be coming closer and closer together, although both institutions have fundamentally different goals. They are increasingly starting to include educational collateral programs that exist not only to stimulate discourse and raise awareness about contemporary art but also to create a more informed market. Krishnamachari’s role (and that of other curators for different platforms) will become instrumental in determining which Indian artists are representative of an evolving contemporary Indian art scene, and negotiating that with those who are able or who have the potential to succeed commercially. Whether this negotiation can be successfully achieved in actuality remains to be seen till the opening of Art Stage Singapore on January 15th 2014, we are certainly looking forward to seeing the final exhibition of Platform and how it contributes to the fair.
Mithu Sen at Art Stage Singapore. Image Credit: http://www.galeriesteph.com/pdf/gs_mithu-sen_installation.pdf