‘When Gold Blossoms’ at the Asia Society’s Hong Kong Center

Amit Kapoor of Saffronart on an upcoming exhibit of Indian temple jewelry at the Asia Society’s Hong Kong center

Gold earrings in the Shape of Cobras

Gold earrings in the Shape of Cobras Image courtesy Asiasociety.org

Hong Kong: Opening this fall at the Asia Society’s newest center in Hong Kong is the exhibition ‘When Gold Blossoms’, featuring Indian jewelry the Susan L. Beningson Collection. As the Asia Society notes, the title of the show “refers to the strong preference for gold in South Indian jewelry…and explores the significance of ornamentation and adornment in Indian culture. The title is also a reference to the nature-inspired designs found on the jewelry, from ear studs each in the form of a lotus to armbands featuring petal and leaf weaving.”

Gold earrings in the Shape of Lotus Flowers

Gold earrings in the Shape of Lotus Flowers.               Image courtesy Asiasociety.org

 

A Mango Shaped Nose Ring

A Mango Shaped Nose Ring. Image courtesy Asiasociety.org

An Enameled Crown set with Diamonds, Rubies, and Emeralds

An Enameled Crown set with Diamonds, Rubies, and Emeralds. Image courtesy Asiasociety.org

Celebrating the intricate craftsmanship and design sensibility of Indian temple jewelry, this exquisite collection was previously exhibited at the Asia Society Museum in New York in 2004-05, in a show curated by Dr. Molly Emma Aitken. Included in this travelling exhibition are over 150 pieces of jewelry created primarily in South India as jewels for daily wear as well as offerings for deities in various temples. Displayed alongside the pieces will be vintage photographs illustrating the ways in which these jewels were worn and used.

This exhibition is a must visit for serious jewelry enthusiasts.

South Asian Contemporary Art at New Zealand’s Govett-Brewster Gallery

Manjari Sihare shares details of a new exhibition of South Asian art at New Zealand’s leading contemporary art museum

New Zealand: The contemporary art museum of New Plymouth in Taranaki, the Govett-Brewster Art Gallery, is currently hosting the region’s most extensive exhibition of South Asian contemporary art. Sub-Topical Heat: New Art from South Asia features the works of nine artists from the subcontinent, namely Naeem Mohaiemen, Nusra Latif Qureshi, Bani Abidi, Sheba Chhachhi, Raking Leaves, Gigi Scaria, Imran Qureshi, and Sharmila Samant.

Read more about this exhibition.

Govett-Brewster is recognized internationally in the world of contemporary art. In 2009, the Arts Foundation of New Zealand bestowed the Gallery with their prestigious Governors’ Award to acknowledge the institution’s singular commitment to the cause of contemporary art over four decades. Incidentally, this exhibition is not the gallery’s first showcase of art from the Indian subcontinent. In 2009, the Gallery hosted Nalani Malani’s compelling installation, Mother India: Transactions in the Construction of Pain.

Nalini Malani, Mother India: Transactions in the Construction of Pain, 2005 (installation view)
Image courtesy: http://www.govettbrewster.com/Events/EventDetail/e/130/title/nalini-malani.aspx

These exhibitions have been curated by the current Director of the Gallery, Rhana Davenport, a cultural specialist with substantial experience in the field of contemporary art in Asia, the Pacific and Australasia. Davenport is known for her significant experience with international cultural festivals and contemporary art biennial/triennial projects including the Asia-Pacific Triennial of Contemporary Art at the Queensland Art Gallery, and the Sydney Festival.

The current exhibition opened earlier this month, and will be on view until 4 November, 2012. Sheba Chhachhi, Gigi Scaria, N.S. Harsha and Sharmila Samant traveled to New Plymouth for the opening of the exhibit. The gallery organized a series of short dialogues between each of these artists and Davenport, which are available for free viewing on Youtube (see links below).

Interview with NS Harsha

Interview with Gigi Scaria

Interview with Sheba Chhachhi

Interview with Sharmila Samant 

Wanås Konst Showcases Five Indian Artists in its 25th Anniversary Celebrations

Medha Kapur shares a note on the five Indian artists currently featured at Wanås Konst.

Wanås FoundationKnislinge, Sweden: Wanås Konst is run by the Wanås Foundation, a non-profit art foundation located on an estate consisting of a medieval castle, an organic farm, an art gallery and a sculpture park, with a collection containing 50 permanent art works. Since 1987, Wanås has presented contemporary international art with a focus on sculpture and site-specific installations.  It represents a combination of art, nature and history. Wanås is located in Sweden, and every year world-renowned artists are invited to produce different artworks for the estate.

This summer, from 20 May till 28 October, the Indian artist Srinivasa Prasad from Bangalore is being represented with one of his pieces featured in an exhibition on the Wanås Konst grounds. Using natural materials such as mud, hay, water, grains, and cow dung, Prasad incorporates the essence of performance art in his works and emphasizes the interaction between the audience and the work.  Here, his work entails a a 40-metre long coiled stretch of willows planted on the lawns of Wanås, that would measure 500 metres if it were straight. The saplings are planted in the form of a labyrinth forming the artist’s signature in Kannada. This work has been co-commissioned by the Creative India Foundation.  Founded in 2010, the Foundation has been instrumental in creating opportunities for Indian sculptors to explore and push their creative horizons internationally through various platforms such as residency programs and production grants for exhibitions, fairs, and sculpture festivals.

“In and Out”, 2012, Srinivasa Prasad

“In and Out”, 2012, Srinivasa Prasad
Willow, grass, wood chips
The Wanås Foundation, Sweden
Co-commissioned by Creative India Foundation
Photo: Wanås Konst

This season, Wanås Konst has also opened an entirely new room dedicated to film and video art. In the film program, “But a pit stop on a long journey“, the Indian artists Neha Choksi, Rohini Devasher, Shilpa Gupta and Asim Waqif present viewers with loaded and imaginary landscapes. Go through ARTINFO’s slideshow of stills from the featured films to learn more about the artists and their works screened at Wanås Konst. 

Video still from “Tarq”, Asim Waqif, 2011

Video still from “Tarq”, Asim Waqif, 2011
From Wanås Konst’s film program “But a pit stop on a long journey”
The Wanås Foundation, Sweden, 2012
Photo: Courtesy the artist.

Video still from “The Weather Inside Me (Bombay Sunset)”, Neha Choski, 2007-2010

Video still from “The Weather Inside Me (Bombay Sunset)”, Neha Choski, 2007-2010
From Wanås Konst’s film program “But a pit stop on a long journey”
The Wanås Foundation, Sweden, 2012
Photo: Courtesy the artist.

Video still from “Arboreal” Rohini Devasher, 2011

Video still from “Arboreal” Rohini Devasher, 2011
From Wanås Konst’s film program “But a pit stop on a long journey”
The Wanås Foundation, Sweden, 2012
Photo: Courtesy the artist.

Video still from “Untitled” Shilpa Gupta, 2012

Video still from “Untitled” Shilpa Gupta, 2012
From Wanås Konst’s film program “But a pit stop on a long journey”
The Wanås Foundation, Sweden, 2012
Photo: Courtesy the artist.

Editions: Saffronart’s latest 24-hour Auction

Shivajirao Gaekwar shares some highlights from Saffronart’s latest 24-hour auction catalogue

Mumbai:  For collectors of fine art photography, limited edition prints and sculpture, Saffronart’s Absolute Auction of Editions, which will be held online on July 25-26, 2012, offers a great opportunity to acquire works by artists like V.S. Gaitonde, Raghu Rai, Chintamoni Kar, Himmat Shah, Ram Rahman, Jitish Kallat, Atul Dodiya, Anita Dube and Shilpa Gupta among others. The sale features 110 works, all offered with no reserve prices and online bidding starting as low as $100 or Rs 5400 on each lot! For beginners, then, this is a great opportunity to start, or augment their art collection. Here are some highlights from the auction:

Lot #8 Raghu Rai, Nariman Point, Mumbai, 2006, Pigment ink on textured fine art archival paper
$2,225 – 3,335
Rs 1,20,000 – 1,80,000

Lot #1 V.S. Gaitonde, Untitled, Lithograph on paper
$2,780 – 3,705
Rs 1,50,000 – 2,00,000

Lot #21 Jitish Kallat, Onomatopoeia (The Scar Park), 2005,
Digital prints on Hahnemuhle fine art bright white archival paper
$37,040 – 55,560
Rs 20,00,000 – 30,00,000

Lot #39 Ram Rahman, Folk Singer, Delhi, 1987
Digital Print on Harman FB A1 Archival Paper
$1,670 – 2,225
Rs 90,000 – 1,20,000

Browse the catalogue here.

Baptist Coelho in Paris

Saffronart’s Sanjana Gupta on Baptist Coelho’s residency at the Centre International d’Accueil et d’Echanges des Récollets, Paris

Baptist Coelho’s work in Paris

Paris: Since 2003, the Centre International d’Accueil et d’Echanges des Récollets in Paris has been organizing an annual residency program that hosts artists and writers from around the world in the historic Récollets Convent in the center of the city. So far, this residency has offered 180 artists from more than 80 countries the opportunity to develop and realize a specific project in Paris over three months.

These projects are required to be developed in Paris, and must also reflect Paris’s cultural environment. The residency program hosts select artists with specific profiles under three disciplines: the visual arts, the performing arts, and literature. Artists and writers who are professionally established in these three disciplines are selected by a consultative committee.

Among the eight visual arts artists selected for the 2012 residency, is Baptist Coelho, an artist from India, who will be living and working in Paris between July and September this year. Born in 1977, Coelho graduated in graphic design from the L.S. Raheja School of Art, Mumbai, in 1997. He then moved on to the Birmingham Institute of Art and Design in the United Kingdom, where he received his Master’s degree in visual communication. His work showcases collaborated personal research from various cultures, geographies and histories, in a wide variety of media such as installation, video, sound, photography and performance.

The idea of having such a residency program was to encourage international talent to engage with the rich culture of Paris. I think residencies like this provide a great opportunity not only for the artists who are able to reflect their creativity in a new, fertile environment, but also for the healthy evolution of the art scene in Paris.

Click here for more information.